"Weißt Du es noch" by Rudolf Schock had its release date on January 1, 1985. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Rudolf Schock und seine Lieder". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, Weißt Du es noch's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Weißt Du es noch by Rudolf Schock having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wien wird bei Nacht erst schön | Robert Stolz, Jonas Kaufmann, Ádám Fischer, Wiener Philharmoniker | A♭ Major | 2 | 4B | 170 BPM | ||
| Das Land des Lächelns: "Dein ist mein ganzes Herz!" | Franz Lehár, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | D♭ Major | 2 | 3B | 85 BPM | ||
| Wagner: Tannhäuser, Act 3: "O! du mein holder Abendstern" (Wolfram) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin, Thomas Hampson | D Major | 2 | 10B | 96 BPM | ||
| Bajazzo: Andiam: din, don suona vespero | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | C Major | 2 | 8B | 132 BPM | ||
| Gern hab´ ich die Fraun´ geküsst | Rudolf Schock | E♭ Major | 3 | 5B | 101 BPM | ||
| Mein Liebeslied muss ein Walzer sein | Robert Stolz, André Rieu | C Major | 5 | 8B | 78 BPM | ||
| Man müsste nochmal zwanzig sein | Willy Schneider | D♭ Major | 4 | 3B | 116 BPM | ||
| Mit 'nem kleenen Stückchen Glück | Kurt Pratsch-Kaufmann, Alfred Schieske, Friedrich Schoenfelder | C Major | 4 | 8B | 128 BPM | ||
| O Rose von Stambul | Rudolf Schock | E Major | 3 | 12B | 91 BPM | ||
| Lonxe d'A Terriña - Remastered | Antonio Campó, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid, Jose Perera, Julian Perera, Victoriano Echevarría | D♭ Major | 3 | 3B | 105 BPM | ||
| On The Beautiful Blue Danube | Orchestra The Spv | D Major | 1 | 10B | 91 BPM | ||
| In mir klingt ein Lied | Anneliese Rothenberger | E Major | 2 | 12B | 189 BPM | ||
| Der singende Traum: "Du bist die Welt für mich" | Richard Tauber, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | F Major | 2 | 7B | 87 BPM | ||
| Wiener Blut (operetta): Stoß an! | Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester | E♭ Major | 4 | 5B | 175 BPM | ||
| Gefangenen Chor Nabucco | Angela Wiedl, R. Wiedl, G. Humphrey, M. Schmidt, B. Sauter | D♭ Major | 3 | 3B | 92 BPM | ||
| Ich liebe dich, WoO 123 | Ludwig van Beethoven, Dietrich Fischer-Dieskau, Hertha Klust | F Major | 0 | 7B | 169 BPM | ||
| Fahr mich in die Ferne, mein blonder Matrose | Geraldine Olivier | F Major | 5 | 7B | 93 BPM | ||
| Vino, mujeres y canciones, Op. 333 | Orquesta De Conciertos Vienesa, Alfred Scholz | B♭ Major | 3 | 6B | 181 BPM | ||
| Alle Tage ist kein Sonntag | Carl Clewing, Rudolf Schock, Werner Eisbrenner | C Major | 2 | 8B | 147 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "So recht! Und willst du nun nicht mehr klagen" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | G Minor | 1 | 6A | 127 BPM | ||
| Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | ||
| Gounod: Roméo et Juliette, Act 1: Introduction. "L'heure s'envole" (Chœur) | Charles Gounod, Michel Plasson, Choeur Du Capitole De Toulouse, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
| Dein ist mein ganzes Herz | Richard Tauber | D♭ Major | 4 | 3B | 83 BPM | ||
| Arie 'Dunkelrote Rosen' aus 'Gasparone' von C.Milloecker | Martin Frank | C Major | 5 | 8B | 89 BPM | ||
| Die Fledermaus / Act 2: Nr.7 Couplet: "Ich lade gern mir Gäste ein" | Johann Strauss II, Hermann Prey, Ivan Rebroff, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 134 BPM |