Mangesh Borgaonkar's ' "Vitthal" was released on its scheduled release date, July 9, 2014. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. Since Vitthal only contains only one song in the album, we like to consider this song as a single. Based on our data, India was the country where this track was produced or recorded. Based on our statistics, Vitthal's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Vitthal by Mangesh Borgaonkar has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Vitthal being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhagavad Gita Adhyay, Pt. 16 | Shrirang Bhave | G Minor | 1 | 6A | 104 BPM | ||
| Karita Seva Guru Charananchi | Kamalakar Tapasvi | F Minor | 7 | 4A | 142 BPM | ||
| Rin Mochan Mangal Stotra | Tejaswini Ingale | F♯ Minor | 4 | 11A | 112 BPM | ||
| Olya Khuna (Unplugged) | Saee Tembhekar, Mangesh Borgaonkar, Yogita Godbole | B Major | 3 | 1B | 87 BPM | ||
| Ashutosh Shashank Shekhar | Madhvi Madhukar | A Major | 4 | 11B | 90 BPM | ||
| Pratyangira Mantras | Dr. R. Thiagarajan | F Major | 5 | 7B | 85 BPM | ||
| Ganapathi Suktam | T.Sivaprasad, R.V. Sathyanarayanamurthy | D Major | 9 | 10B | 160 BPM | ||
| Lokabhiramam Ranrangdhiram | Raju Rao | E♭ Major | 3 | 5B | 130 BPM | ||
| Gurupaduka | Rishi Nityapragya | A♭ Major | 5 | 4B | 103 BPM | ||
| Aaditya Hrudayam | Shastry Brothers | A♭ Major | 5 | 4B | 71 BPM | ||
| Shri Krishna Chaitanya Prabhu Nityananda | Disha Roy | C Major | 6 | 8B | 100 BPM | ||
| Hanuman Chalisa - Chant | Babeena Sharma | D♭ Minor | 3 | 12A | 98 BPM | ||
| Jaya Radhe Jaya Krishna | Swarup Damodar Prabhu | E♭ Major | 3 | 5B | 170 BPM | ||
| Sri Rama Raksha Sthotram | Bangalore Sisters, Ajay Warriar, Ramesh Chandra | E Minor | 2 | 9A | 134 BPM | ||
| Hare Rama Hare Krishna (Hari Chanting) | Priyankaa Bhattacharya | E Major | 3 | 12B | 119 BPM | ||
| Devi Kavacham | J. Bhaktavatsalam, Ganesan, Na | A♭ Major | 4 | 4B | 166 BPM | ||
| Shree Ganesh Sankat Nashan Strotram | Vajrang Aphale, Gauri Chitnis | E♭ Major | 7 | 5B | 122 BPM | ||
| Aarti Dnyanraja - Male Version | Mangesh Borgaonkar | A Minor | 6 | 8A | 72 BPM | ||
| Saraswati Namastubhyam Varde Kaamrupini | Sumeet Tappoo | D♭ Major | 4 | 3B | 100 BPM | ||
| Navarna Mantra | Shrikrishna Sawant | F Major | 0 | 7B | 138 BPM | ||
| Shiv Sada Sahayate | Siddharth Shankar Srivastav | A Minor | 3 | 8A | 126 BPM | ||
| Ganpati Stotra | Shree Ganesh Stotram | Ganesh Mantra | Jeet Ojha | F Major | 4 | 7B | 114 BPM | ||
| Maha Lakshmi Chalisa | Anuradha Paudwal, Kavita Paudwal, Suresh Wadkar | D♭ Major | 7 | 3B | 133 BPM | ||
| Shree Ramchandra Krupalu Bhajman | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | E♭ Minor | 4 | 2A | 132 BPM | ||
| Sri Rudra Dwadashanama | Bhaktiranjan | A♭ Major | 6 | 4B | 169 BPM |