Craft Case's ' "Heard Them Say" was released on its scheduled release date, August 23, 2013. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Craft Case's "Late Shift" album is number 7 out of 24. On top of that, Sweden appears to be the country where this track was created. The popularity of Heard Them Say is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Heard Them Say by Craft Case to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Astral Arpeggios | Iron Strings Syndicate | E Major | 1 | 12B | 184 BPM | ||
| There Is Still Time | John Utah | B♭ Minor | 2 | 3A | 120 BPM | ||
| Inner Labyrinth | Aidos Nursultanov | A Minor | 2 | 8A | 88 BPM | ||
| Someone | Michelle | F♯ Minor | 1 | 11A | 130 BPM | ||
| Weak Connection | Andrew Hulshult | D♭ Major | 3 | 3B | 120 BPM | ||
| Wounds of Faith | Al Nasheeds | E♭ Major | 4 | 5B | 182 BPM | ||
| Agnus Dei | God's Builder | A Major | 1 | 11B | 115 BPM | ||
| I Saw Nothing | Craft Case | F Minor | 7 | 4A | 120 BPM | ||
| Drop the Trip | Aerophane | F Minor | 2 | 4A | 125 BPM | ||
| Becoming Robot | Drexus | D♭ Major | 3 | 3B | 120 BPM | ||
| Siesta | Wispa | A♭ Major | 3 | 4B | 120 BPM | ||
| Rectificaciones | Falsas Alarmas | B♭ Minor | 1 | 3A | 100 BPM | ||
| 神の降臨 | HOYO-MiX | D♭ Major | 3 | 3B | 120 BPM | ||
| Conflict | Adam Skorupa, Krzysztof Wierzynkiewicz, Michal Cielecki | D Major | 8 | 10B | 120 BPM | ||
| Tunes in My Head | Freshen | C Major | 3 | 8B | 125 BPM | ||
| Rozando La Gloria | Hasta El Final | B♭ Minor | 0 | 3A | 140 BPM | ||
| Ancient Steppe Resonance | Mongolian Steppe Harmony | D♭ Major | 3 | 3B | 120 BPM | ||
| Pencil | Ronny Movy | D♭ Major | 3 | 3B | 120 BPM | ||
| Stellar Nursery | Brayden Simcox | D♭ Major | 3 | 3B | 120 BPM | ||
| What the Hell is Going On? | Luke Richards | B♭ Major | 2 | 6B | 130 BPM | ||
| Eine wilde Fahrt | Samuel Wootton, Fiva | D♭ Major | 3 | 3B | 120 BPM | ||
| End of Beginning | Naomi Chinenye, KOOKA | B Major | 5 | 1B | 100 BPM | ||
| Secret Cargo | Craft Case | A Minor | 8 | 8A | 130 BPM | ||
| Infra | Jay Varton | A Minor | 5 | 8A | 210 BPM | ||
| Vaka Intro | Atli Örvarsson, Kjartan Holm, Sin Fang | D♭ Major | 3 | 3B | 120 BPM |