On June 22, 2025, the song "Barkha Ke Pani" was released by Vikash Kashyap, Shilpi Raj. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Barkha Ke Pani and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Barkha Ke Pani is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Barkha Ke Pani by Vikash Kashyap, Shilpi Raj is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bital Ba Jawani Jel Me | Masuriya Mel Yadav, Goldi Yadav | D♭ Major | 10 | 3B | 125 BPM | ||
| Saiya Ke Sath Madaiya Me | Chandan Chanchal | B♭ Minor | 9 | 3A | 123 BPM | ||
| Mauryavansh Ke Chite Hai | Ziddi Boy Chandan | D♭ Major | 9 | 3B | 110 BPM | ||
| Guru Ravidas Aaile | Vikash Rao | B♭ Minor | 9 | 3A | 123 BPM | ||
| Lale Colour Ke Saree | Manish Roy, Shilpi Raj | A♭ Major | 9 | 4B | 150 BPM | ||
| Sasu Chlava Tari Shasan | Sarvesh Singh, Shilpi Raj | B♭ Major | 8 | 6B | 90 BPM | ||
| Police Daroga Bhaiya Hau Nokriya Me | Rocky Raja, Anjali Bharti | G Minor | 10 | 6A | 77 BPM | ||
| Lahe Lahe Bathata Kamariya | Sumit Babu, Shilpi Raj | A Minor | 10 | 8A | 126 BPM | ||
| Rimjhim Barse Badarwa | Shilpi Raj | B♭ Major | 10 | 6B | 115 BPM | ||
| Osama Bhaiya Ke Jitaye Ja | Tuntunn Yadavv | G Major | 10 | 9B | 140 BPM | ||
| Chay Garam Kari Ki Raja Ji Raura Ke | Bullet Raja, Srishti Bharti | G Minor | 10 | 6A | 145 BPM | ||
| Ganjva Maar Li Ka | Beeru Saroj, Shristi Bharti | D♭ Major | 10 | 3B | 135 BPM | ||
| Hariyar Gamachhiya | Masuriya Mel Yadav, Prabha Raja | F♯ Minor | 10 | 11A | 130 BPM | ||
| Maja Leke Yarwa Bhul Gail | Sonu Rajbhar | B♭ Minor | 9 | 3A | 123 BPM | ||
| Gaal Misaul Holi | Chandan Chanchal | B♭ Minor | 9 | 3A | 123 BPM | ||
| Golagappa Aah Aah Aah | Chandan Chanchal, Shilpi Raj | D♭ Major | 10 | 3B | 155 BPM | ||
| Devar Ji Bure Hai | Deepak Dildar, Chanda Raj, BAS Chauhan, Vindhyachal Bihari | B♭ Minor | 9 | 3A | 123 BPM | ||
| Barsat Ke Mausam | SKD Raj, Goldy Yadav | F Minor | 10 | 4A | 130 BPM | ||
| Makkhan Lagai Ki Dhakkan Lagai - From "Sangharsh 2" | Khesari Lal Yadav, Shilpi Raj, Krishna Bedardi | A Minor | 10 | 8A | 123 BPM | ||
| Gori Tora Othlali Ke Kasam | Appi Parthi, Vikash Balamua | E Major | 9 | 12B | 105 BPM | ||
| Jal Dhare Balu Mafiya | SKD Raj, Goldy Yadav | A♭ Minor | 10 | 1A | 62 BPM | ||
| Ghunghat Me Ghutan | Saurabh Royale, Shilpi Raj | A♭ Minor | 9 | 1A | 118 BPM | ||
| Patar Kamar Pa - From "Mehmaan" | Arvind Akela Kallu, Shilpi Raj | B♭ Minor | 9 | 3A | 123 BPM | ||
| Kala Suit Kala Tika | Rakesh Mishra, Khushboo Jain | B♭ Minor | 9 | 3A | 123 BPM | ||
| Chadhal Jawani Ke Pani | Ankush Raja, Priyanka Singh | F Minor | 10 | 4A | 156 BPM |