Richard Stelten, Greg Danner, Joy Rachor's '2 Suites de danses de l'epoque baroque allemande, Suite No. 1 (Arr. R. Stelten for Horn & Piano): II. Bourrée [After J. Krieger]' had a release date set for August 18, 2017. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 10 out of 28 in Easy Contest Solos for French Horn, Vol. 1 by Greg Danner, Joy Rachor. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. 2 Suites de danses de l'epoque baroque allemande, Suite No. 1 (Arr. R. Stelten for Horn & Piano): II. Bourrée [After J. Krieger] is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 2 Suites de danses de l'epoque baroque allemande, Suite No. 1 (Arr. R. Stelten for Horn & Piano): II. Bourrée [After J. Krieger] by Richard Stelten, Greg Danner, Joy Rachor is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Memoriam Dylan Thomas: I. Dirge-Canons (Prelude) | Igor Stravinsky, Quirijn van den Bijlaard, Mark Boonstra, Jose Dias, Alejandro Luque Belmonte, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | A♭ Major | 1 | 4B | 196 BPM | ||
| Quintet No. 1 in B-Flat Minor: I. Moderato | Victor Ewald, Center City Brass Quintet | B♭ Minor | 0 | 3A | 68 BPM | ||
| Summer Music, Op. 31: III. Faster | Samuel Barber, Ensemble Ouranos | A♭ Major | 1 | 4B | 196 BPM | ||
| Concerto en mi bémol majeur pour trompette, Hob. 7e:1: Finale - Allegro | Joseph Haydn, Orchestre de Chambre National de Toulouse, Alain Moglia, Thierry Caens, André Cazalet, Michel Becquet | E♭ Major | 2 | 5B | 141 BPM | ||
| Songs of a Wayfarer (with Catherine Milledge) | Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Der Freischütz : Jäger-Chor | Die Hornisten der Berliner Philharmoniker | D Major | 1 | 10B | 109 BPM | ||
| 15. You Raise Me up R. Lovland | Melissa Venema - Trumpet | B♭ Major | 0 | 6B | 84 BPM | ||
| The Tale of Tsar Saltan: The Flight of the Bumble-bee | Nikolai Rimsky-Korsakov, Ludmila Peterková, Irina Kondratenko | G Minor | 1 | 6A | 169 BPM | ||
| Horn Sonata in B Minor, Op. 27: II. Adagio molto | Kurt Atterberg, Imre Magyari, Ilona Prunyi | A Major | 1 | 11B | 145 BPM | ||
| Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, LSO Wind Ensemble | E♭ Major | 0 | 5B | 65 BPM | ||
| Figaro's Aria from The Marriage of Figaro, K. 492 | Wolfgang Amadeus Mozart, Canadian Brass | E♭ Major | 1 | 5B | 77 BPM | ||
| II. Memories | Ricardo Mollá, Esteban Batallán, Ricardo Mollá Albero, Alberto Urretxo, Bilbao Symphony Orchestra | B♭ Major | 2 | 6B | 68 BPM | ||
| 調子の良い鍛冶屋 | George Frideric Handel, 児玉隼人 | F Major | 2 | 7B | 67 BPM | ||
| Arutiunian: Trumpet Concerto: II | Alexander Arutiunian, Gert Skovlod Hattesen, Christian Lindberg, Prince of Denmark Air Force Band | A Major | 0 | 11B | 67 BPM | ||
| Préludes, Book 1, L. 117 (Excerpts Arr. S. Cox for Brass Septet): No. 8, La fille aux cheveux de lin | Claude Debussy, Septura | F♯ Major | 0 | 2B | 89 BPM | ||
| Goedicke / Arr. Dokshitser: Concert Étude, Op. 49 | Alexander Goedicke, Alison Balsom, Tom Poster | G Minor | 2 | 6A | 82 BPM | ||
| Infernal Dance Of All Kashei's Subjects | Mnozil Brass | G Major | 1 | 9B | 83 BPM | ||
| Toccata and Fugue in D Minor, BWV 565: I. Toccata - Arr. By Enrique Crespo | Johann Sebastian Bach, German Brass | D Minor | 2 | 7A | 178 BPM | ||
| ガラスの海と都市の情景 | Micina | C Minor | 6 | 5A | 120 BPM | ||
| Suite for 13 Wind Instruments in B flat major, Op. 4: I. Praeludium | Richard Strauss, François Leleux | B♭ Major | 0 | 6B | 127 BPM | ||
| Liebesleid | Fritz Kreisler, Michael Collins, Michael McHale | A Minor | 0 | 8A | 85 BPM | ||
| Bach, JS / Transcr. Balsom for Trumpet: Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande | Johann Sebastian Bach, Alison Balsom | B♭ Major | 0 | 6B | 70 BPM | ||
| Cinco Diferencias Sobre las Vacas | The Royal Wind Music, Capella Sancta María, Alfred Fernández | A♭ Minor | 0 | 1A | 140 BPM | ||
| Sheltering Sky | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 0 | 5B | 69 BPM | ||
| Oh Shenandoah (with Catherine Milledge) | Martin Smith | D♭ Major | 0 | 3B | 86 BPM |