Remedios Reyes, Victor M. Rosa's ' "Escobilla Media: Baile y Guitarra" was released on its scheduled release date, 1999. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 12 in Escuela de Flamenco: Alegrías y Escobillas (Cristina Hoyos Presenta) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Escobilla Media: Baile y Guitarra is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Escobilla Media: Baile y Guitarra by Remedios Reyes, Victor M. Rosa is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Escobilla Lenta Con Guitarra 120 | Victor M. Rosa, El Trini, Remedios Reyes | A Major | 3 | 11B | 120 BPM | ||
| Gitano de Badajoz (Fandangos) | Porrina de Badajoz | E♭ Minor | 5 | 2A | 93 BPM | ||
| Con Mi Escopeta Y Mi Perro | Jose Antonio Escribano | C Minor | 5 | 5A | 138 BPM | ||
| Al Atravesar el Barranco | Los De La Morena | A♭ Major | 5 | 4B | 108 BPM | ||
| Lo digo y lo voy a hacer | Jose Merce | C Major | 8 | 8B | 94 BPM | ||
| Tangos (Rápido) - Compás de Estudio | Nasrine Rahmani | B♭ Minor | 3 | 3A | 170 BPM | ||
| Bulerías | Luis de la Pica | E♭ Major | 6 | 5B | 119 BPM | ||
| Si Sabré De Tí - Bulería | Jose Merce | D Major | 9 | 10B | 121 BPM | ||
| Contrabandista - Fandangos Cané del Alosno | El Pali | B♭ Minor | 9 | 3A | 170 BPM | ||
| Redoblaron Campanas (Seguirilla) | Antonio Reyes, Diego del Morao | D♭ Minor | 7 | 12A | 111 BPM | ||
| Noche de Reyes (Bulería) | Alejandro Hurtado, David Domínguez | G Minor | 4 | 6A | 160 BPM | ||
| Bulerías del Chaqueta | Ezequiel Benítez | F♯ Minor | 1 | 11A | 76 BPM | ||
| Soleá por Bulerías: Compás y Guitarra | Victor M. Rosa, Mariló García, Lurdes García | B Minor | 6 | 10A | 92 BPM | ||
| María Manuela | Luis de Córdoba, Vicente Amigo | G Major | 4 | 9B | 111 BPM | ||
| La Hija del Manijero | Los Zambo | D♭ Major | 7 | 3B | 113 BPM | ||
| Sevillanas | Rafael Romero | F Minor | 6 | 4A | 100 BPM | ||
| Es Cai, Señores | Argentina | G Major | 5 | 9B | 157 BPM | ||
| Rosa Tardia | Marina Heredia | A♭ Minor | 7 | 1A | 113 BPM | ||
| Soleá de Alcalá | El Trini, Victor M. Rosa | F♯ Minor | 6 | 11A | 120 BPM | ||
| Luna de Fragua encendida | El Turry | F Minor | 7 | 4A | 126 BPM | ||
| Los dos quitan el sentío. Bulerías | Juanito Villar | F Minor | 6 | 4A | 121 BPM | ||
| Lola Montes (Bulerías) | Antonio Mairena, Esteban de Sanlúcar | B♭ Major | 2 | 6B | 132 BPM | ||
| Entre Oriente y Occidente | Los Moneo | G Major | 4 | 9B | 109 BPM | ||
| Tu Mare Con Ser Tu Mare (feat. Juan Salazar, Porrina Hijo & Antonio Arenas) - Tangos del Gurugú | Porrina de Badajoz, Juan Salazar, Porrina Hijo, Antonio Arenas | E♭ Minor | 7 | 2A | 90 BPM | ||
| Andalucia Que Mal Vives (feat. Pedro Bacán) - Fandangos | El Cabrero, Pedro Bacan | G Major | 4 | 9B | 124 BPM |