Ramesh Bagiyal, Meena, Chorus's ' "Hey Mahed Devta" was released on its scheduled release date, March 27, 1999. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in Ramesh Bagiyal, Meena's "Khudilu Paraan" album is number 5 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Hey Mahed Devta's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hey Mahed Devta by Ramesh Bagiyal, Meena, Chorus to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Itni Shakti Hume Dena Data | Tripti Shakya | F Minor | 6 | 4A | 130 BPM | ||
| Aarti Gayatri Mata Ki | Hari Om Sharan | E Major | 8 | 12B | 176 BPM | ||
| Phool Ke Swad | Satish | D♭ Minor | 6 | 12A | 120 BPM | ||
| Samdariyo | Seema Mishra | A♭ Major | 5 | 4B | 80 BPM | ||
| Jayati Jayati Jag | Anuradha Paudwal | A Major | 6 | 11B | 155 BPM | ||
| Gadi Chutge Patan | Chhaya Chandrakar, Mithlesh Sahu | E♭ Major | 7 | 5B | 152 BPM | ||
| Suberi Uthik Le Maanji | Ramesh Bagiyal, Meena, Chorus | D♭ Major | 5 | 3B | 95 BPM | ||
| Shiv Kailasho Ke Wasi | Pola Ram Dhangwal, Anuradha Paudwal, Anjali, Urmila | F♯ Major | 5 | 2B | 130 BPM | ||
| O Murakh Bande Kya Hai | Parmod Kumar | A♭ Major | 7 | 4B | 77 BPM | ||
| Khamma Khamma | Mahendra Kapoor | G Major | 5 | 9B | 75 BPM | ||
| Mankhi Tu Mankhayali | Ramesh Bagiyal | D♭ Major | 5 | 3B | 95 BPM | ||
| Kya Din Kya Raat | Narendra Singh Negi, Anuradha Nirala | F Minor | 3 | 4A | 180 BPM | ||
| Lugra Chaghahu Navagad Ke | Dukalu Yadav | E♭ Minor | 7 | 2A | 110 BPM | ||
| Babul Ka Ghar | Sharda Sinha | F♯ Minor | 9 | 11A | 120 BPM | ||
| Yun Nirala Banu Maa | Ramesh Bagiyal | A♭ Major | 5 | 4B | 154 BPM | ||
| Shri Radhe Govinda Mann Bhajle Hari Ka Pyara Naam Hai | Anup Jalota, Chandra Kamal | E♭ Major | 9 | 5B | 80 BPM | ||
| Thali Bhar Ke Layai Khichdo | Seema Mishra | A Minor | 5 | 8A | 79 BPM | ||
| Karpur Gauram Karunavtaram | Pawan Singh | F Minor | 8 | 4A | 140 BPM | ||
| Shree Vaishno Chalisa | Narendra Chanchal | D♭ Major | 5 | 3B | 76 BPM | ||
| Bhrukuti ki kutia mein baithe hee baithe | Brahma Kumaris | D Major | 4 | 10B | 125 BPM | ||
| Kalyugi Jamaanu | Ramesh Bagiyal | A♭ Major | 4 | 4B | 137 BPM | ||
| Prabhu Tere Rang Mein | Alka Yagnik | G Major | 4 | 9B | 100 BPM | ||
| Sab Ka Bhala Mere Ramji Karen | Hari Om Sharan | D♭ Minor | 5 | 12A | 97 BPM | ||
| Khojyali Min Khojyali | Narendra Singh Negi, Anuradha Nirala | E Minor | 5 | 9A | 114 BPM | ||
| Nimiya Ke Darhi Maiya | Bharat Sharma Vyas | D Minor | 7 | 7A | 152 BPM |