The Jimmy Rogers All Stars's ' "Sweet Home Chicago" was released on its scheduled release date, January 1, 1970. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 12 in Blues Blues Blues by The Jimmy Rogers All Stars. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Sweet Home Chicago is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sweet Home Chicago by The Jimmy Rogers All Stars is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Three Forks | Altered Five Blues Band | C Major | 8 | 8B | 130 BPM | ||
| Your Funeral and My Trial | Mojo Blues Band | C Major | 6 | 8B | 94 BPM | ||
| You Can Have My Husband | Lou Ann Barton | C Major | 4 | 8B | 120 BPM | ||
| Shake The Boogie | Billy Boy Arnold | C Major | 7 | 8B | 166 BPM | ||
| After You Get Rid Of Me | Katie Webster | C Major | 4 | 8B | 135 BPM | ||
| Tired Of Being Pushed Around | Queen Sylvia Embry | B Minor | 6 | 10A | 114 BPM | ||
| Must Be Jelly | William Clarke | C Major | 3 | 8B | 104 BPM | ||
| Other Side of Love | Doyle Bramhall | A Major | 4 | 11B | 119 BPM | ||
| Blue Walls | Matt "Guitar" Murphy | C Major | 6 | 8B | 204 BPM | ||
| Looking To The Future | William Clarke | A Major | 6 | 11B | 145 BPM | ||
| Ain't That Just Like a Woman | Billy Boy Arnold | D♭ Minor | 7 | 12A | 78 BPM | ||
| Shy Voice | Lil Ed & The Blues Imperials | D Major | 8 | 10B | 134 BPM | ||
| I'll Be Home On Tuesday - Take 1 | Hubert Sumlin | C Major | 6 | 8B | 134 BPM | ||
| Shoes Blues | Mike Zito, Susan Cowsill | E Minor | 7 | 9A | 113 BPM | ||
| For You My Love | Colin Abraham | F♯ Major | 8 | 2B | 96 BPM | ||
| 312 Blood | Nick Moss Band, Dennis Gruenling | C Major | 8 | 8B | 75 BPM | ||
| Born In Louisiana | Clarence "Gatemouth" Brown | G Major | 5 | 9B | 121 BPM | ||
| Just Like a Woman | Melvin Taylor | C Major | 5 | 8B | 128 BPM | ||
| Pawnshop Bound | William Clarke | C Major | 7 | 8B | 118 BPM | ||
| This Little Voice | Byther Smith | D♭ Minor | 7 | 12A | 119 BPM | ||
| Gotta Move On | Eddy Clearwater | A♭ Major | 7 | 4B | 186 BPM | ||
| Take Anything I Can | The Cash Box Kings | G Major | 9 | 9B | 131 BPM | ||
| Broke My Baby's Heart | Paul Butterfield's Better Days | B♭ Major | 4 | 6B | 126 BPM | ||
| Before You Accuse Me | Shawn Holt, The Teardrops, John Primer | D Major | 7 | 10B | 113 BPM | ||
| My Guitar | Smokin' Joe Kubek & Bnois King | C Major | 9 | 8B | 153 BPM |