On January 1, 2003, the song "Fried Neckbones (Bobo)" was released by Scott Martin. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Cafe Cubano by Scott Martin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Fried Neckbones (Bobo)'s popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Fried Neckbones (Bobo) by Scott Martin is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| After the City Wept: No. 3, Rachel Dances | Stefania de Kenessey, Adina Aaron, Christòpheren Nomura, John Churchwell, Scott Martin | E♭ Major | 1 | 5B | 123 BPM | ||
| Cuban Blues | Chico O'Farrill | C Major | 4 | 8B | 112 BPM | ||
| Cuba Libre | Palmer | B♭ Minor | 7 | 3A | 100 BPM | ||
| Cha Cha Gabriel | Jimmy Bosch | D Major | 6 | 10B | 136 BPM | ||
| El Reloj de Pastora | Bebo Valdés Trío | F Major | 3 | 7B | 96 BPM | ||
| Para Los Rumberos | Arturo O'Farrill, The Afro Latin Jazz Orchestra | F Major | 6 | 7B | 134 BPM | ||
| Yo Quiero Guarachar | PALO! | C Major | 7 | 8B | 116 BPM | ||
| Things Are Getting Better | Tom Brown, Scott Martin, Darrell Voss, Ken Hustad, George Stone | C Major | 3 | 8B | 120 BPM | ||
| El Jamaiquino | Cuban Jazz Legends, Tata Güines, Changuito, Peruchin Nieto | F Major | 8 | 7B | 173 BPM | ||
| Devuélveme el Coco | Issac Delgado | C Minor | 6 | 5A | 107 BPM | ||
| Tierra Colorá | Nestor Torres | D Minor | 4 | 7A | 127 BPM | ||
| Boricua Blues | Son Boricua | F Major | 8 | 7B | 97 BPM | ||
| El Son Convidando (Instrumental) | Conjunto Guantanamo | G Minor | 6 | 6A | 137 BPM | ||
| El Diablito | Jack Costanzo | B Minor | 9 | 10A | 102 BPM | ||
| No Molestes Mas | Danilo Lozano, Adonis Puentes, Justo Almario, Danilo Lozano, Oscar Hernandez, Ramon Banda, Rene Camacho, Joey De Leon, Dayren SantamariaAlfredo Ortiz | C Minor | 7 | 5A | 133 BPM | ||
| Pick Up The Pieces | Cuban Jazz Combo | B♭ Minor | 9 | 3A | 120 BPM | ||
| Escuela de Peska (Martin/White) | Scott Martin | C Major | 8 | 8B | 135 BPM | ||
| Paso En Tampa | ¡Cubanismo! | G Major | 8 | 9B | 127 BPM | ||
| De Cuba y de Panamá | Billy Cobham, Asere | E Minor | 9 | 9A | 117 BPM | ||
| Guajira, A Blanca | Chuchito Valdes | A Minor | 4 | 8A | 150 BPM | ||
| Remembering Ray | Orestes Vilató | G Major | 8 | 9B | 133 BPM | ||
| Upside Down | Cuban Jazz Combo | B♭ Minor | 9 | 3A | 120 BPM | ||
| Fever | Ray Barretto & New World Spirit, James Moody, Los Papines | C Major | 5 | 8B | 130 BPM | ||
| Decidete, Mi Amor | Cuban Jazz Legends, Changuito, Peruchin Nieto, Tata Güines | F Major | 6 | 7B | 94 BPM | ||
| Sangre De Africa | Patato | G Minor | 4 | 6A | 108 BPM |