"Extremely Rare, But Not Unheard Of - Cello & Guitar" by Liad Abraham, Roxane Genot had its release date on June 3, 2022. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Extremely Rare, But Not Unheard Of - Cello & Guitar's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Extremely Rare, But Not Unheard Of (Cello & Guitar) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Extremely Rare, But Not Unheard Of - Cello & Guitar is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Extremely Rare, But Not Unheard Of - Cello & Guitar by Liad Abraham, Roxane Genot is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Calling on the Hill | Moorland Songs | E Minor | 1 | 9A | 87 BPM | ||
| Cabin | Elgafar | A♭ Minor | 2 | 1A | 106 BPM | ||
| Visiting the Glen | Alwyn Oak | E♭ Major | 0 | 5B | 139 BPM | ||
| The Musical Priest | Nadia Birkenstock | G Major | 4 | 9B | 83 BPM | ||
| The Tenpenny Bit | Nadia Birkenstock | A Minor | 4 | 8A | 126 BPM | ||
| Blue On Blue | Sad Moses | G Major | 2 | 9B | 124 BPM | ||
| The Fellowship | Christoffer Moe Ditlevsen | F Minor | 4 | 4A | 90 BPM | ||
| Run in the fields | Bob Tillo | C Major | 7 | 8B | 120 BPM | ||
| Aragorn the Dunedain | Nicostrauss | A Minor | 4 | 8A | 110 BPM | ||
| Lost Sky | Celtic World Orchestra, Stephen Paul | F Minor | 3 | 4A | 130 BPM | ||
| Maria durch ein Dornwald ging | Malte Vief | D Major | 5 | 10B | 90 BPM | ||
| Mountain Solitude | Moorland Songs | D Major | 0 | 10B | 94 BPM | ||
| Bound By The Earth | The Witchery | E♭ Minor | 4 | 2A | 112 BPM | ||
| On Castle Rock | Stephen Wake | C Major | 3 | 8B | 107 BPM | ||
| The Meadow - Instrumental | Marcus Warner, Aiden Appleton | G Major | 3 | 9B | 136 BPM | ||
| Scarborough Fair | Whalebone | D Major | 3 | 10B | 116 BPM | ||
| Candlelight Musings at the Medieval Tavern | Axe & Ale | D Minor | 2 | 7A | 100 BPM | ||
| Epilogue | Ralf Kleemann | A Minor | 1 | 8A | 81 BPM | ||
| Isle of the Dead | Elysian Echoes | D Minor | 2 | 7A | 63 BPM | ||
| What the Land Remembers | Whalebone | E♭ Major | 2 | 5B | 136 BPM | ||
| Starlit Voyage | Jagex Audio Team, Ashton Mills | C Major | 1 | 8B | 89 BPM | ||
| A Forgotten Waltz | Beautiful Death | C Minor | 2 | 5A | 51 BPM | ||
| Arriving in Avalon | Alwyn Oak | D Major | 0 | 10B | 121 BPM | ||
| Starless Night (Reworked) | Liad Abraham | F Major | 1 | 7B | 119 BPM | ||
| Prophecies & Dreams (from "Wolf Hall") | Roxane Genot, Jan Pouska | A Minor | 2 | 8A | 179 BPM |