Rajender, Madhu Sharma, Pasi, Foji Darmber, Khatak, Dayav Singh, Malik's ' "Waha Se Telegram Bheja Part 7" was released on its scheduled release date, June 16, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 10 in Dadlana Competition Vol 1 by Rajender. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Waha Se Telegram Bheja Part 7 is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Waha Se Telegram Bheja Part 7 by Rajender, Madhu Sharma, Pasi, Foji Darmber, Khatak, Dayav Singh, Malik is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Buisu Taotui | Baidoram Reang, Sadhana Reang, Biswanath Reang, Sarat Reang | E Major | 7 | 12B | 110 BPM | ||
| Ayya Raara Appa Raara | Kapil Madduri | G Major | 9 | 9B | 157 BPM | ||
| Raja Dharampal Ka Ladka Part 5 | Satbit, Pale Ram, Rajender, Ranbir | C Major | 6 | 8B | 130 BPM | ||
| Gangamma Gowramma | Dj Somesh Sripuram, Simma Srinu | B♭ Minor | 10 | 3A | 170 BPM | ||
| Sokera Singari | Korra Kittu Naik | F Minor | 7 | 4A | 146 BPM | ||
| Dilam Palam Potharaju | V Digital Recording Studio | D♭ Major | 10 | 3B | 155 BPM | ||
| Accha Ye Ke Baat Kahi Part 5 | Bali Sharma, Pasi, Rajender, Sarita, Ranbir, Sunil | B Minor | 4 | 10A | 140 BPM | ||
| Chupa Chupa Niva Sang re | Jimmy Studio, Pandurang Meshram, Subodh Walke | C Major | 9 | 8B | 130 BPM | ||
| Mandhu Pettindho | singer lavanya | F Minor | 10 | 4A | 153 BPM | ||
| Butki Pt 11 | Aklesh Bhabhar | B Major | 7 | 1B | 128 BPM | ||
| Esha Esha | Rajender, Andrea, Sravani, Vijayandra Varma | A♭ Major | 8 | 4B | 110 BPM | ||
| Komuravelli Kondallo Mallu Deva | Sri Latha Yadav | B♭ Major | 9 | 6B | 100 BPM | ||
| Malle Chettu | Mamidi Mounika, Sv Mallikteja | A♭ Major | 8 | 4B | 136 BPM | ||
| Karma Ke Raat | Raj Bhai, Sandeep Bhai, Sanju Rao | C Minor | 9 | 5A | 140 BPM | ||
| Attaru Saibo Raara | Dj Somesh Sripuram, T Naresh, Dokkari Mohan | G Major | 10 | 9B | 155 BPM | ||
| Laalu Dhoolu | Gana Sarathi | G Major | 9 | 9B | 82 BPM | ||
| Jhak Jhaka Saree | Samir, Mira Das | G Minor | 10 | 6A | 130 BPM | ||
| Usne Socha Age Kab Part 7 | Ranbir, Pale Ram, Bali Sharma, Rajender | D♭ Major | 3 | 3B | 78 BPM | ||
| Settu Kindunnave Ma | Mamatha Ramesh | B♭ Minor | 10 | 3A | 78 BPM | ||
| Kamal Naian Uttar Kavar Part 2 | Rajender, Satbir, Pale Ram | G Major | 7 | 9B | 74 BPM | ||
| Thoorpu Deshana | Relare Ganga | F♯ Minor | 9 | 11A | 79 BPM | ||
| Kadhi Na Kadhi Na Tule Yad Mani Yei Rani | Prashant Desale, Bhushan Bhamre | E♭ Minor | 8 | 2A | 68 BPM | ||
| Gowramma Gajjala koduka | V Digital Recording Studio | A♭ Major | 9 | 4B | 90 BPM | ||
| Tera Bina Part 5 | Rajender, Ranbir, Madhu Sharma, Pasi, Neelam, Mahabir guddu | B♭ Minor | 3 | 3A | 78 BPM | ||
| Repa Repaladuthadi Tdp Jenda Somi Reddy Anna | Nalgonda Gaddar Narsanna | F♯ Minor | 10 | 11A | 100 BPM |