On October 10, 1989, the song "Leavin' Here" was released by Tinsley Ellis. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 11 in Fanning The Flames by Tinsley Ellis. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Leavin' Here's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Leavin' Here by Tinsley Ellis is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Case Of The Blues | Chris Cain | E♭ Major | 4 | 5B | 114 BPM | ||
| Days Like This | Danny Bryant's Redeyeband, Walter Trout | C Minor | 8 | 5A | 175 BPM | ||
| Wild Streak | John Campbell | E♭ Minor | 4 | 2A | 98 BPM | ||
| Mouth Turn Dry | Tinsley Ellis | E Minor | 9 | 9A | 132 BPM | ||
| Same Old Blues | Eric Steckel | D♭ Major | 4 | 3B | 131 BPM | ||
| Tears From My Eyes | Detroit Blues Band | D Minor | 3 | 7A | 175 BPM | ||
| One Room Country Shack | Ana Popovic | A Minor | 5 | 8A | 143 BPM | ||
| Bring Your Fine Self Home | Albert Collins, Robert Cray, Johnny Copeland | A Major | 5 | 11B | 192 BPM | ||
| Whiskey In My Soul | Twelve Bar Blues Band, Detroit Blues Band, Instrumentalista | E Minor | 2 | 9A | 130 BPM | ||
| She's Crazy | JT Coldfire | F Minor | 2 | 4A | 138 BPM | ||
| I Wouldn't Tread a Dog | Gregor Hilden, Hans D. Riesop, The Tone Company | G Minor | 5 | 6A | 111 BPM | ||
| The Visit | Kal David | F Minor | 5 | 4A | 149 BPM | ||
| Any Fool Will Do | Kenny Neal | D Minor | 5 | 7A | 173 BPM | ||
| You're Everything | Robert Cray, The Robert Cray Band | D Minor | 4 | 7A | 145 BPM | ||
| Back to the Dirty Town | The Blues Mystery | A Minor | 6 | 8A | 180 BPM | ||
| Problem Number 29 | John Haydock | A Major | 4 | 11B | 100 BPM | ||
| Blue Collar Man | The Sad Guitar, Misery Guitar Strings, Blues Delight | B Minor | 3 | 10A | 76 BPM | ||
| Stuck On Stupid | Ronnie Baker Brooks | F Major | 6 | 7B | 126 BPM | ||
| Cost of Lovin' | Michael Locke | F♯ Minor | 6 | 11A | 162 BPM | ||
| The Messiah Will Come Again | Henrik Freischlader | A Minor | 5 | 8A | 177 BPM | ||
| Still Playing the Blues | Hubert Sumlin | E Minor | 5 | 9A | 123 BPM | ||
| Cut You Loose | Tinsley Ellis | B Minor | 5 | 10A | 170 BPM | ||
| Blackest Day | Joanne Shaw Taylor | F♯ Minor | 5 | 11A | 144 BPM | ||
| Love's Name | John Campbell | A♭ Minor | 2 | 1A | 85 BPM | ||
| Drink In Blue Colours | Dom Martin | F♯ Minor | 4 | 11A | 122 BPM |