Carol Channing, Hello, Dolly! Ensemble's 'Hello, Dolly!' had a release date set for 1964. This song is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The track order of this song in Original Broadway Cast of Hello, Dolly!'s "Hello, Dolly! (Original Broadway Cast Recording)" album is number 10 out of 26. On top of that, United States appears to be the country where this track was created. In terms of popularity, Hello, Dolly! is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hello, Dolly! by Carol Channing, Hello, Dolly! Ensemble to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wunderbar | Kathryn Grayson, Howard Keel | A♭ Major | 3 | 4B | 103 BPM | ||
| Brotherhood of Man | Robert Morse, Sammy Smith, Ruth Kobart, How to Succeed in Business Without Really Trying Ensemble | G Minor | 3 | 6A | 96 BPM | ||
| There's No Business Like Show Business | Irving Berlin, Marty May, William O'Neal, Ray Middleton, Ethel Merman | C Major | 3 | 8B | 173 BPM | ||
| Finale: Oh What A Beautiful Mornin' | Gordon MacRae, Shirley Jones, Darcy M. Proper | A Major | 5 | 11B | 143 BPM | ||
| One Brick at a Time | Deborah Grant, Barnum Ensemble | D♭ Major | 1 | 3B | 154 BPM | ||
| You're The Cream In My Coffee | Carol Channing | E♭ Major | 3 | 5B | 117 BPM | ||
| A Good Man Is Hard To Find | Carol Channing | D Major | 3 | 10B | 100 BPM | ||
| You're The Top - From "Anything Goes" Soundtrack / Remastered 2004 | Bing Crosby, Mitzi Gaynor | B♭ Major | 4 | 6B | 79 BPM | ||
| Mister Cellophane | Joel Grey | C Major | 4 | 8B | 118 BPM | ||
| We Open in Venice - Extended Version | Kathryn Grayson, Howard Keel, Ann Miller, Tommy Rall | A♭ Major | 5 | 4B | 123 BPM | ||
| Dance: Ten; Looks: Three | Marvin Hamlisch, Pamela Blair, Don Pippin | D♭ Major | 5 | 3B | 109 BPM | ||
| Cabaret: Finale | John Kander, Cabaret Ensemble, Harold Hastings | D Major | 2 | 10B | 83 BPM | ||
| Sweet Charity: I Love to Cry at Weddings | Cy Coleman, John Wheeler, Michael Davis, Helen Gallagher, Thelma Oliver, Sweet Charity Ensemble, Sweet Charity Original Broadway Cast, Fred Werner | G Major | 2 | 9B | 114 BPM | ||
| Annie: Maybe | Charles Strouse, Andrea McArdle, Annie Ensemble, Peter Howard | B♭ Major | 1 | 6B | 91 BPM | ||
| Camelot: The Seven Deadly Virtues | Frederick Loewe, Roddy McDowall, Original Broadway Cast of Camelot, Franz Allers | A Minor | 3 | 8A | 135 BPM | ||
| The Trolley Song | Carol Burnett | G Minor | 6 | 6A | 141 BPM | ||
| 1776: Cool, Cool, Considerate Men | Sherman Edwards, Paul Hecht, David Ford, 1776 Ensemble, Peter Howard | C Minor | 4 | 5A | 96 BPM | ||
| Tom, Dick or Harry | Ann Miller, Bob Fosse, Tommy Rall, Bobby Van | G Minor | 5 | 6A | 120 BPM | ||
| Together Wherever We Go | Rose, Herbie and Louise | A Minor | 6 | 8A | 108 BPM | ||
| We Dance | Once on This Island Ensemble | A♭ Minor | 3 | 1A | 82 BPM | ||
| Adelaide's Lament | Faith Prince | D♭ Major | 1 | 3B | 92 BPM | ||
| Cocked Eyed Optomist (From "South Pacific") | Mitzi Gaynor | E Major | 4 | 12B | 104 BPM | ||
| Prologue: The Old Red Hills Of Home | Jeff Edgerton, Don Chastain, Parade Ensemble | G Minor | 4 | 6A | 92 BPM | ||
| Lullaby of Broadway | Jerry Orbach, 42nd Street Ensemble, John Lesko | C Major | 3 | 8B | 81 BPM | ||
| Stranger in Paradise | Richard Kiley, Doretta Morrow, Louis Adrian, Alfred Drake, Richard Oneto, Joan Diener, Henry Calvin | A♭ Minor | 3 | 1A | 88 BPM |