On November 20, 1996, the song "Pacific Shore Hotel" was released by Section-S. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of WWW. by Section-S. The song's track number on the album is #7 out of 11 tracks. Pacific Shore Hotel is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Pacific Shore Hotel by Section-S has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Pacific Shore Hotel being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Movin'on without you - tribalmix | Hikaru Utada, ゴウ・ホトダ | F♯ Minor | 7 | 11A | 122 BPM | ||
| 土曜日は大キライ | Yumi Matsutoya | E♭ Major | 7 | 5B | 118 BPM | ||
| Sauce - Long Edit | Sugar Soul | F♯ Minor | 5 | 11A | 144 BPM | ||
| 黄昏20~太陽の季節 | TOKYO No.1 SOUL SET | B Minor | 10 | 10A | 94 BPM | ||
| プロポーズ | KAN | C Major | 8 | 8B | 117 BPM | ||
| ガールフレンド | Crazy Ken Band | B♭ Major | 7 | 6B | 125 BPM | ||
| 罌粟 | Miyuki Hatakeyama | G Major | 6 | 9B | 76 BPM | ||
| Calling Me | EGO-WRAPPIN’ | G Major | 6 | 9B | 146 BPM | ||
| ヴィーナス - 結晶 -SOUL LIBERATION- Version | Original Love | B Major | 8 | 1B | 104 BPM | ||
| 愛の自爆装置 | Chara | G Major | 8 | 9B | 174 BPM | ||
| N.O. | Denki Groove | C Major | 9 | 8B | 132 BPM | ||
| 虹が消えるまで | Kyoko Koizumi | G Major | 4 | 9B | 116 BPM | ||
| 中央フリーウェイ | Yumi Arai | B♭ Minor | 7 | 3A | 102 BPM | ||
| サヴォタージュ | Senri Oe | G Major | 4 | 9B | 166 BPM | ||
| まとめを読まないままにして | KUKIKODAN | E Minor | 5 | 9A | 80 BPM | ||
| さあいこう | wyolica | B Major | 5 | 1B | 85 BPM | ||
| Yesterday&Today | Do As Infinity | C Major | 6 | 8B | 142 BPM | ||
| 中央線 | THE BOOM | G Major | 6 | 9B | 86 BPM | ||
| 土曜日の恋人 | NONA REEVES | F♯ Major | 5 | 2B | 81 BPM | ||
| 接吻 | Original Love, Ovall | G Major | 5 | 9B | 93 BPM | ||
| WATERMELON | Tokyo Ska Paradise Orchestra, Yukihiro Takahashi | A♭ Major | 8 | 4B | 124 BPM | ||
| 麝香 | Ozawa Kenji | A Major | 4 | 11B | 107 BPM | ||
| いつのまに | DREAMS COME TRUE | D♭ Minor | 5 | 12A | 102 BPM | ||
| 小さな恋 | MISIA | C Major | 8 | 8B | 80 BPM | ||
| Drifter | KIRINJI | F Major | 6 | 7B | 81 BPM |