On January 1, 1985, the song "Mascherade" was released by Anonymous, Konrad Ragossnig, Siegfried Fink, Josef Ulsamer. With This song being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "Terpsichore: Renaissance and Early Baroque Dance Music". In this album, this song's track order is #18. In terms of popularity, Mascherade is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mascherade by Anonymous, Konrad Ragossnig, Siegfried Fink, Josef Ulsamer having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vigilia Aeterna Liturgiae | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | F Major | 0 | 7B | 68 BPM | ||
| Tempo Della Glora E Della Vita. Sequenza: Victimae Paschali Laudes | Canonici Regolari Di Sant'Antimo | E Minor | 0 | 9A | 92 BPM | ||
| Le crucifiement | Choeur des moines de l'abbaye Saint Benoit du lac, Dom André Saint-Cyr | C Major | 0 | 8B | 79 BPM | ||
| Jubilus rhythmicus de nomini Jesu (2) | St. Bernard von Clairvaux, Ensemble Officium, Wilfried Rombach | E♭ Major | 0 | 5B | 130 BPM | ||
| Spiritual Gregorian Chants Chant Templar Chant Peaceful Monks | Choir Of St. Abuscus, Chants of Eternity | A Minor | 2 | 8A | 112 BPM | ||
| Cantus Officiorum: Responsorium: Tenebrae factae sunt | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | E♭ Major | 1 | 5B | 131 BPM | ||
| Introit in Shadow | Night Monastery | E Minor | 2 | 9A | 73 BPM | ||
| Domingo de Quasimodo: Kyrie VI ad lib (7º - 8º modo) | Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | A Major | 6 | 11B | 106 BPM | ||
| Le couronnement d'épines | Choeur des moines de l'abbaye Saint Benoit du lac, Dom André Saint-Cyr | G Minor | 1 | 6A | 98 BPM | ||
| To Demeter | The Rosslyn Singers, Mary Oliver | E Major | 2 | 12B | 77 BPM | ||
| Harmonia Aurearum Aurorae | Schola Gregoriana Del Coro F. Paer, Schola of the Hofburgkapelle, Vienna, The Monks of Pluscarden Abbey | E♭ Major | 1 | 5B | 100 BPM | ||
| Verily, Verily I Say unto You | Thomas Tallis, Alamire, David Skinner | D♭ Minor | 3 | 12A | 72 BPM | ||
| Audi tellus (Leich) | Petrus Wilhelmi De Grudencz, Schola Gregoriana Pragensis | A♭ Major | 2 | 4B | 119 BPM | ||
| 432Hz Benedictine Peaceful Relaxing Gregorian Calm | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | D♭ Major | 1 | 3B | 73 BPM | ||
| Tempus Fidelitatis Plena | Monges Beneditinos, The Benedictine Monks of Worth Abbey | D Minor | 0 | 7A | 129 BPM | ||
| Orthodox Gregorian Calm Templar Chant | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | F♯ Major | 1 | 2B | 83 BPM | ||
| The Master Masons Pillar | Tallis Chamber Choir, Edinburgh Renaissance Band, The | F Minor | 3 | 4A | 141 BPM | ||
| Jam conclamamus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | B♭ Major | 3 | 6B | 97 BPM | ||
| Ave mundi spes Maria - Secuencia (Modos VII y VIII) - Remasterizado | Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta | B♭ Minor | 9 | 3A | 110 BPM | ||
| Gregorian Traditions of the Divine | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | C Major | 2 | 8B | 93 BPM | ||
| Introit: Salve mater redemptoris - Salve lux langentium - Salve sine spina - Salve sancta parens | Anonymous, John Dowland, Anonymous 4 | B♭ Minor | 0 | 3A | 99 BPM | ||
| Pjotr Tsaikovski: Legend (op. 54/5) | Lumen Valo | E Minor | 0 | 9A | 81 BPM | ||
| Sederunt principes | Ars Veritas | A♭ Minor | 4 | 1A | 111 BPM | ||
| Nox Sacra | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Traditional, Anonymous, Choeur des moines de l'abbaye Notre Dame de Fontgombault | E Minor | 1 | 9A | 136 BPM | ||
| In splendoribus sanctorum | Anonyme, Obsidienne, Emmanuel Bonnardot | A♭ Major | 1 | 4B | 98 BPM |