"Two Dialogues with Postscript: III. Morning Serenade" by Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg had its release date on September 29, 2022. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Two Dialogues with Postscript: III. Morning Serenade's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Valentin Silvestrov, Hélène Grimaud's "Hélène Grimaud plays Valentin Silvestrov" album is number 6 out of 7. On top of that, Germany appears to be the country where this track was created. Two Dialogues with Postscript: III. Morning Serenade is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Two Dialogues with Postscript: III. Morning Serenade by Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Consolations, S. 172: No. 3 Lento placido in D-Flat Major | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Piano Concerto No. 1 in E Minor, Op. 11: II. Larghetto (Arr. for Cello and Piano by J. Brocal and C. Thomas) | Frédéric Chopin, Camille Thomas, Julien Brocal | D Major | 2 | 10B | 176 BPM | ||
| 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
| Gli Uccelli: II. La Columba | Orchestra of the Swan, Victoria Brawn | F♯ Minor | 1 | 11A | 90 BPM | ||
| À Chloris (Transc. Mayer for Oboe and Piano) | Reynaldo Hahn, Albrecht Mayer, Kimiko Imani | E Major | 1 | 12B | 66 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon | Antonín Dvořák, Edgar Moreau, Jérémie Moreau | F♯ Major | 0 | 2B | 138 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia - Radio Edit | Clara Schumann, Alexandra Dariescu, Philharmonia Orchestra, Tianyi Lu | A♭ Major | 0 | 4B | 175 BPM | ||
| Night (Arr. for Cello & Piano by Tom Poster) | Florence Beatrice Price, Laura van der Heijden, Jâms Coleman | G Major | 0 | 9B | 86 BPM | ||
| 24 Preludes, Op. 28: No. 15 in D Flat Major. Sostenuto "Raindrop" | Frédéric Chopin, Alice Sara Ott | D♭ Major | 0 | 3B | 131 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Silent Waves | Dan Evmark, Paula Gustafsson, Amelie Evmark | C Minor | 1 | 5A | 94 BPM | ||
| 1.4 Sarabande | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | G Major | 2 | 9B | 144 BPM | ||
| Thaïs: Méditation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
| Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
| Minuet in G Minor, HWV 434 No. 4 (Transc. W. Kempff) | George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 66 BPM | ||
| Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508) | Gottfried Heinrich Stölzel, Angela Hewitt | E♭ Major | 0 | 5B | 64 BPM | ||
| Lieder ohne Worte II, Op. 30: VI. Venetian Gondola Song. Allegretto, MWV U110 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | D Major | 1 | 10B | 78 BPM | ||
| 14 Romances, Op. 34: No. 1, The Muse (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | E Minor | 1 | 9A | 86 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo (Adapt. by Tamas Batiashvili for Violin and Orchestra) - NEW YORK | Antonín Dvořák, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | D♭ Major | 0 | 3B | 87 BPM | ||
| Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM | ||
| 9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
| Abschiedsserenade: II | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D♭ Major | 0 | 3B | 80 BPM |