Jack Wall's 'Nowhere to Hide' had a release date set for March 4, 2016. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jack Wall's "Into the Stars (Original Game Soundtrack)" album is number 14 out of 18. On top of that, Turks and Caicos Islands appears to be the country where this track was created. The popularity of Nowhere to Hide is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nowhere to Hide by Jack Wall to be Presto (very, very fast) because the track has a tempo of 196 BPM, a half-time of 98BPM, and a double-time of 392 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Built to Kill | Oleksa Lozowchuk | D♭ Minor | 3 | 12A | 83 BPM | ||
| First and Last | Michael McCann | G Major | 9 | 9B | 130 BPM | ||
| Libertad | Pedro Bromfman | A Minor | 5 | 8A | 98 BPM | ||
| Bloodborne | SIE Sound Team | G Major | 4 | 9B | 164 BPM | ||
| Safehouse | Ola Strandh | D♭ Major | 2 | 3B | 120 BPM | ||
| Geoscape | Adam Schneider | E Minor | 3 | 9A | 125 BPM | ||
| Precinct Siege | Ola Strandh | B Minor | 8 | 10A | 180 BPM | ||
| Wings of Liberty | Russell Brower, StarCraft, Blizzard Entertainment | C Minor | 4 | 5A | 120 BPM | ||
| Theme from Battery - Jon Opstad Remix | Amon Tobin, Jon Opstad | B Minor | 3 | 10A | 87 BPM | ||
| Adrenaline 2025 - Big Giant Circles Remix | Big Giant Circles | C Major | 5 | 8B | 147 BPM | ||
| Black Mesa Theme | morch kovalski | C Minor | 8 | 5A | 120 BPM | ||
| Embrace What You Have Become Trailer | Michael McCann | A♭ Minor | 9 | 1A | 134 BPM | ||
| Voice In Your Head | James McCawley | C Minor | 4 | 5A | 220 BPM | ||
| March of the Moa | Keith Power | G Major | 8 | 9B | 200 BPM | ||
| Welcome to 4th Echelon | Mike Zarin, Tony Hajjar | C Major | 7 | 8B | 163 BPM | ||
| The Beginning Is the End | Ola Strandh | E Minor | 5 | 9A | 100 BPM | ||
| Abra Macabre | Kevin Sherwood | D♭ Major | 10 | 3B | 120 BPM | ||
| Fuse Box | Starbreeze Entertainment, Simon Viklund | D Major | 8 | 10B | 132 BPM | ||
| Dishonored 2 Main Theme | Daniel Licht | C Minor | 3 | 5A | 141 BPM | ||
| Draconian Dream | Audiomachine | D Major | 7 | 10B | 170 BPM | ||
| The Rain of Mourning | 大木優拓 | D♭ Major | 10 | 3B | 163 BPM | ||
| Deliverance | Bear McCreary | D♭ Major | 5 | 3B | 80 BPM | ||
| Damned 3 (From “Call of Duty: Black Ops 3”) | Brian Tuey | D Minor | 2 | 7A | 119 BPM | ||
| The Final Movement | Nao Sato | C Major | 9 | 8B | 160 BPM | ||
| Now - Connor | Nima Fakhrara | D Major | 10 | 10B | 84 BPM |