- BPM
- 140
- Key
- E♭ Major
- Camelot
- 5B
Lockdown by Máire Carroll Song Details
"Lockdown" by Máire Carroll had its release date on January 1, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Lockdown and no other songs are present in the album, we classify this track as a single. On top of that, United States appears to be the country where this track was created. Based on our statistics, Lockdown's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
We consider the tempo marking of Lockdown by Máire Carroll to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
Music Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 15%
- Loudness
- -21.898 dB
- Acousticness
- 98%
- Danceability
- 54%
- Energy
- 12%
- Instrumentalness
- 68%
- Liveness
- 31%
- Loudness
- 64%
- Speechiness
- 6%
- Valence
- 10%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Vier Lieder für das Pianoforte, Op. 2: No. 1, Andante H. 301 | Fanny Mendelssohn, Olga Pashchenko | G Minor | 1 | 6A | 91 BPM | |
 | Sonata in F-Sharp Major, R. 90 | Antonio Soler, Harrison Herman | D♭ Major | 2 | 3B | 73 BPM | |
 | Schubert: 4 Impromptus, Op. Posth. 142, D. 935: No. 3 in B-Flat Major: Variation IV | Franz Schubert, Eric Lu | A♭ Minor | 1 | 1A | 96 BPM | |
 | ブルクミュラー25の練習曲: 23. 再会 | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | |
 | Variations on a Theme by C.H., Op. 57: Var. 13. Finale | Xaver Scharwenka, Seta Tanyel | A Major | 2 | 11B | 150 BPM | |
 | Winterreise, S. 561 (After Schubert, D. 911): XI. Der stürmische Morgen | Franz Liszt, Leslie Howard | C Minor | 3 | 5A | 88 BPM | |
 | Rondo in C, Op. 52 No. 6 | Johann Nepomuk Hummel, Robert Thompson | C Major | 1 | 8B | 136 BPM | |
 | Toccata and Fugue in D Minor BWV 565 (Arr. Solo Piano by Tausig): I. Toccata - Duo-Art 6732 | Johann Sebastian Bach, Ignaz Friedman, Peter Phillips | A♭ Major | 1 | 4B | 116 BPM | |
 | Variations and Fugue on a Theme by Handel, Op. 24 - Excerpt | Johannes Brahms, Garrick Ohlsson | D Minor | 0 | 7A | 106 BPM | |
 | Bach, JS: Wir danken dir, Gott, wir danken dir, BWV 29: Sinfonia (Arr. Kempff for Solo Piano) | Johann Sebastian Bach, David Fray | D Major | 0 | 10B | 68 BPM | |
 | Musical Characteristics, Op. 19: VI. Prelude 2 alla Mozart | Muzio Clementi, Howard Shelley | A♭ Major | 0 | 4B | 72 BPM | |
 | Don Giovanni's Serenade (Arr. Solo Piano by Backhaus) - Duo-Art 68250 | Wolfgang Amadeus Mozart, Wilhelm Backhaus, Peter Phillips | D Major | 2 | 10B | 98 BPM | |
 | Holberg Suite, Op. 40: IV. Air. Andante religioso | Edvard Grieg, Aristo Sham | G Major | 2 | 9B | 148 BPM | |
 | String Quartet No.2 in A Minor, Op. 51 No. 2: IV. Finale. Allegro non assai | Johannes Brahms, Tokyo String Quartet | A♭ Minor | 1 | 1A | 96 BPM | |
 | Fantasie, Op. 17: II. Mässig. Durchaus Energisch - Welte-Mignon 362 | Robert Schumann, Teresa Carreño, Peter Phillips | E♭ Major | 1 | 5B | 138 BPM | |
 | Symphony no. 5 in Cm, Op. 67 - II. Andante con moto | Beethoven | A♭ Minor | 1 | 1A | 96 BPM | |
 | 3 Miniature Pieces: No. 2. Prelude | Mirrie Hill, Jeanell Carrigan | A♭ Major | 0 | 4B | 75 BPM | |
 | Symphonic Etudes, Op. 13: Variation IV (1852) | Robert Schumann, Paolo Ceccarini | D♭ Major | 2 | 3B | 143 BPM | |
 | String Quartet No. 1 in C Major, Op. 49: I. Moderato | Dmitri Shostakovich, Carducci String Quartet | G Minor | 2 | 6A | 144 BPM | |
 | Etude Op. 136 Nr. 20 | Carl Albert Loeschhorn, José Manuel Ortega Caballo | E Minor | 2 | 9A | 175 BPM | |
 | Fairy Tale - 1 Mov | Josef Karlicek, Petr Karlicek | A♭ Minor | 1 | 1A | 96 BPM | |
 | Valse oubliée No. 1 in F-Sharp Major, S. 215/1 | Franz Liszt, Stephen Hough | F♯ Major | 0 | 2B | 68 BPM | |
 | Suite of Preludes: No. 4, Teneramente | Kazimierz Serocki, Miyako Arishima | B♭ Minor | 3 | 3A | 110 BPM | |
 | Thunderbird Suite. In the Village - Duo-Art 5852 | Charles Cadman, Peter Phillips | A♭ Minor | 1 | 1A | 96 BPM | |
 | The Tiny Fish | Bernhard van den Sigtenhorst Meyer, Pauline Oostenrijk | A Major | 1 | 11B | 175 BPM |
- ISRC
- usx9p2087102
- Label
- L-M Records/RCA Records