The Vanished's ' "Hear Me Now" was released on its scheduled release date, February 1, 2024. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in The Vanished's "Metamorphosis" album is number 9 out of 20. On top of that, Australia appears to be the country where this track was created. Based on our statistics, Hear Me Now's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hear Me Now by The Vanished to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Atlas in the Alleyway | Durangos Heros | F Major | 5 | 7B | 112 BPM | ||
| My Damsel: A Confession To An Adversary | Evans Blue | B Minor | 10 | 10A | 164 BPM | ||
| Nothing All The Time | H Is Orange | G Minor | 9 | 6A | 87 BPM | ||
| Promises | Adema | F Minor | 9 | 4A | 156 BPM | ||
| Kiss The Flag | Evans Blue | C Major | 9 | 8B | 94 BPM | ||
| Litter | Edgewater | A♭ Major | 8 | 4B | 94 BPM | ||
| Six Seconds | Gladyss Patches | A♭ Major | 9 | 4B | 168 BPM | ||
| Different | Acceptance | B Minor | 6 | 10A | 168 BPM | ||
| Calm & Collapsed | The Exies | F♯ Major | 8 | 2B | 128 BPM | ||
| Hold the Door | Armor For Sleep | E Major | 8 | 12B | 164 BPM | ||
| 8 AM | The Summer Obsession | C Major | 9 | 8B | 164 BPM | ||
| Say Your Last Goodbye | God Or Julie | G Major | 8 | 9B | 163 BPM | ||
| Self-Destruct & Die (The Pacifist) | Dead Poetic | A♭ Minor | 9 | 1A | 186 BPM | ||
| All Messed Up | Breaking Point | D♭ Major | 7 | 3B | 172 BPM | ||
| Pretty Pretty | Dead Poetic | E♭ Minor | 9 | 2A | 144 BPM | ||
| Hush Hush | The Spill Canvas | E Minor | 10 | 9A | 161 BPM | ||
| My Saving Grace | Armor For Sleep | D♭ Minor | 7 | 12A | 145 BPM | ||
| Come On | Number One Fan | B Minor | 8 | 10A | 141 BPM | ||
| Midnight Symphony | Bedlight for Blue Eyes | G Major | 5 | 9B | 136 BPM | ||
| Four Wall Blackmail - Dead Poetic Album Version | Dead Poetic | D Major | 8 | 10B | 142 BPM | ||
| Elevators Are Matchmakers | June | D Major | 10 | 10B | 175 BPM | ||
| The Bleeding | Deepfield | F♯ Major | 7 | 2B | 146 BPM | ||
| Could I've Been | Course Of Nature | A♭ Minor | 9 | 1A | 89 BPM | ||
| Somebody Else's Arms | Armor For Sleep | G Major | 10 | 9B | 155 BPM | ||
| the hit | Smile Empty Soul | E♭ Major | 0 | 5B | 151 BPM |