"Elevator Ride" by Tim Wynn had its release date on May 16, 2025. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 32 in Final Destination: Bloodlines (Original Motion Picture Soundtrack) by Tim Wynn. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Elevator Ride is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elevator Ride by Tim Wynn is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laying Siege to Hammerburg (Noble Houses) | Breakdown Epiphanies | E Minor | 6 | 9A | 90 BPM | ||
| The Blasted Heath | Stuart Chatwood | G Minor | 7 | 6A | 80 BPM | ||
| Breeze | Phase Drift | B♭ Major | 6 | 6B | 82 BPM | ||
| Come Hither | J.D. Spears | D♭ Major | 1 | 3B | 90 BPM | ||
| Ghost Recon | Tom Salta | F Major | 7 | 7B | 180 BPM | ||
| Dishonored 2 Main Theme | Daniel Licht | C Minor | 3 | 5A | 141 BPM | ||
| Atlas HQ - State of The Art | Michael McCann | A Major | 4 | 11B | 128 BPM | ||
| Full Send | Stephen Baysted | A Minor | 4 | 8A | 144 BPM | ||
| The Battle at Arcole | Ian Livingstone | C Major | 5 | 8B | 180 BPM | ||
| Squad Loadout | Tim Wynn | G Minor | 8 | 6A | 100 BPM | ||
| OKB Zero | Ludvig Forssell | F Minor | 10 | 4A | 108 BPM | ||
| The Final Hour | Bill Brown, Mikael Sandgren | G Major | 4 | 9B | 135 BPM | ||
| Swarm Down | Audiomachine | D Major | 8 | 10B | 130 BPM | ||
| For the Glory of Agatha! | J.D. Spears | C Major | 5 | 8B | 160 BPM | ||
| The One True King | Rob Westwood | A Minor | 7 | 8A | 80 BPM | ||
| Run, Jump, Fight | Olivier Deriviere, London Contemporary Orchestra | C Minor | 7 | 5A | 128 BPM | ||
| Invasion | Nick Arundel | D♭ Major | 4 | 3B | 75 BPM | ||
| Train Wreck (Locust Theme) | Kevin Riepl, Gears of War | D♭ Major | 1 | 3B | 109 BPM | ||
| Project Long Shadow | Scott R. Morgan | F Major | 8 | 7B | 154 BPM | ||
| Protecting the Convoy | Joris de Man | E Minor | 6 | 9A | 92 BPM | ||
| Attack Without Mercy | Doyle W. Donehoo | A Major | 8 | 11B | 105 BPM | ||
| Train Ride To Hell | Kevin Riepl | G Major | 5 | 9B | 176 BPM | ||
| The Red Prince | Rob Westwood | F Minor | 7 | 4A | 80 BPM | ||
| Common Enemies | Luc St-Pierre | G Major | 7 | 9B | 151 BPM | ||
| Shadow Domain | Tim Wynn | E Minor | 8 | 9A | 180 BPM |