- BPM
- 60
- Key
- E Major
- Camelot
- 12B
Mefistofele: Prologue - Ave, Signor by Arrigo Boito, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano, Chorus of Teatro alla Scala Song Details
"Mefistofele: Prologue - Ave, Signor" by Arrigo Boito, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano, Chorus of Teatro alla Scala had its release date on 1996. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 34 in Boito: Mefistofele by Arrigo Boito, Riccardo Muti. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Mefistofele: Prologue - Ave, Signor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Mefistofele: Prologue - Ave, Signor by Arrigo Boito, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano, Chorus of Teatro alla Scala is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 7%
- Loudness
- -21.031 dB
- Acousticness
- 98%
- Danceability
- 6%
- Energy
- 10%
- Instrumentalness
- 78%
- Liveness
- 9%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bizet: Les pêcheurs de perles, Act 1: "C'est toi ! Toi qu'enfin je revois !" (Zurga, Nadir) | Georges Bizet, Pierre Dervaux, Ernest Blanc, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | E Major | 1 | 12B | 165 BPM | |
 | Manon Lescaut / Act 2: Poichè tu vuoi saper? | Giacomo Puccini, Dwayne Croft, Mirella Freni, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 76 BPM | |
 | Mefistofele, Act IV: Act IV: The Night of the Classical Sabbath: Amore! Misterio! (Elena, Faust) | Arrigo Boito, Mario del Monaco, Floriana Cavalli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A♭ Major | 1 | 4B | 179 BPM | |
 | Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | |
 | Lucia di Lammermoor / Act 1: "La pietade in suo favore" | Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | |
 | Mefistofele / Prologue: "Ave Signor!" | Arrigo Boito, Cesare Siepi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | F Major | 2 | 7B | 143 BPM | |
 | Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM | |
 | Eugene Onegin, Op. 24, TH.5 / Act 1: "Skazhi, kotoraya Tatyana" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Neil Shicoff, Olga Borodina, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 140 BPM | |
| Lucia di Lammermoor / Act 3: "S'avanza Enrico" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 0 | 9B | 107 BPM | |
 | Il barbiere di Siviglia, Act I: No. 6, Aria. La calunnia è un venticello | Gioachino Rossini, Ruggero Raimondi, Chamber Orchestra of Europe, Claudio Abbado | F Major | 1 | 7B | 128 BPM | |
 | Mefistofele / Act 1: "Dai campi, dai prati" | Arrigo Boito, Joseph Calleja, Orchestre de la Suisse Romande, Marco Armiliato | F Major | 2 | 7B | 198 BPM | |
 | Tosca, Act II: Io tenni la promessa – E qual via scegliete? – Tosca, finalmente mia! | Giacomo Puccini, Sherrill Milnes, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno | D Major | 1 | 10B | 92 BPM | |
| Lucia di Lammermoor / Act 2: "Ebben? - Di tua speranza" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Minor | 1 | 8A | 174 BPM | |
 | La bohème, Act IV: Vecchia zimarra, senti | Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 79 BPM | |
 | Mefistofele / Act 2: "Ecco il mondo" | Arrigo Boito, Samuel Ramey, Philharmonia Orchestra, Donato Renzetti | C Minor | 3 | 5A | 129 BPM | |
 | Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | |
![Musica proibita, Op. 5 (arr. L. Logi) [Orch. L. Logi] by Stanislao Gastaldon, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian](https://i.scdn.co/image/ab67616d00001e02b58dc7c365b5d4eb3436e63a) | Musica proibita, Op. 5 (arr. L. Logi) [Orch. L. Logi] | Stanislao Gastaldon, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | G Major | 1 | 9B | 128 BPM | |
 | Bizet: Carmen, WD 31, Act 1: "Regardez donc cette petite qui semble vouloir nous parler" (Moralès, Micaëla, Chœur) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Chor der Deutschen Staatsoper Berlin, Genia Kühmeier, Berliner Philharmoniker | B♭ Major | 1 | 6B | 96 BPM | |
 | Peter Grimes, Op.33 / Act 1: "Hi! Give Us a Hand" | Benjamin Britten, Sir Peter Pears, Raymond Nilsson, James Pease, Jean Watson, Geraint Evans, David Kelly, Orchestra of the Royal Opera House, Covent Garden | E♭ Major | 2 | 5B | 133 BPM | |
 | Massenet: Werther, Act 3: "Toute mon âme est là !" - "Pourquoi me réveiller" (Werther, Charlotte) | Jules Massenet, Michel Plasson, Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra | G Major | 2 | 9B | 128 BPM | |
 | Boito: Mefistofele, Prologue: "Ave, Signor degli angeli e dei santi" (Coro) | Arrigo Boito, Julius Rudel, Ambrosian Opera Chorus, London Symphony Orchestra | E Major | 1 | 12B | 86 BPM | |
 | Wagner: Lohengrin, Act 2: "Welch ein Geheimnis muss der Held bewahren?" (Henry, Elsa, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Emily Magee, René Pape, Staatskapelle Berlin | F Major | 3 | 7B | 78 BPM | |
| Boito: Mefistofele, Act 2: "Folletto, veloce, legger" (Faust, Mefistofele, Coro) | Arrigo Boito, Julius Rudel, Ambrosian Opera Chorus, Norman Treigle, Plácido Domingo, Wandsworth School Boys Choir, London Symphony Orchestra | C Major | 2 | 8B | 77 BPM | |
 | Nerone, Act I: Dove ancor lo scontrasti? (Simon Mago, Asteria) - Live | Arrigo Boito, Franco Vassallo, Valentina Boi, Orchestra del Teatro Lirico di Cagliari, Francesco Cilluffo | F Major | 2 | 7B | 80 BPM | |
 | Don Pasquale, Act I Terza Scena: Due parole ancor di volo (Ernesto/Pasquale) | Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti | F Major | 2 | 7B | 73 BPM |
- ISRC
- USBC19605033
- Label
- L-M Records/RCA Records