"Simon Boccanegra: Prologo: Oh, de'Fieschi implacata, orrida razza (Simone, Fiesco, Paolo, Pietro, Coro)" by Giuseppe Verdi, Ludovic Tezier, Michele Pertusi, Mattia Olivieri, Andrea Pellegrini, Michele Spotti, Orchestra del Teatro San Carlo di Napoli had its release date on January 23, 2026. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Simon Boccanegra by Giuseppe Verdi, Ludovic Tezier, Marina Rebeka, Francesco Meli, Michele Pertusi. The song's track number on the album is #5 out of 34 tracks. Simon Boccanegra: Prologo: Oh, de'Fieschi implacata, orrida razza (Simone, Fiesco, Paolo, Pietro, Coro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Simon Boccanegra: Prologo: Oh, de'Fieschi implacata, orrida razza (Simone, Fiesco, Paolo, Pietro, Coro) by Giuseppe Verdi, Ludovic Tezier, Michele Pertusi, Mattia Olivieri, Andrea Pellegrini, Michele Spotti, Orchestra del Teatro San Carlo di Napoli has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Simon Boccanegra: Prologo: Oh, de'Fieschi implacata, orrida razza (Simone, Fiesco, Paolo, Pietro, Coro) being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz) | Giacomo Puccini, Gianna D'Angelo, Ettore Bastianini, Fernando Corena, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 3 | 11B | 100 BPM | ||
| Requiem: IIg. Recordare | Giuseppe Verdi, Mirella Freni, Christa Ludwig, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 77 BPM | ||
| Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
| La Traviata, Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | B♭ Major | 2 | 6B | 106 BPM | ||
| Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | ||
| Requiem: XV. Lux Aeterna | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Karen Cargill, London Symphony Orchestra, John Relyea | E♭ Major | 0 | 5B | 62 BPM | ||
| Don Carlo, Act I: Dio che nell'alma (Carlo/Rodrigo/Coro di Frati/Un frate) | Giuseppe Verdi, Luciano Pavarotti, Paolo Coni, Andrea Silvestrelli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 89 BPM | ||
| Madama Butterfly, Act II: Coro a bocca chiusa "Humming Chorus" | Giacomo Puccini, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
| Un bel di vedremo (Madame Butterfly) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 3 | 8B | 172 BPM | ||
| Don Giovanni, K. 527, Act II: Canzonetta. Deh, vieni alla finestra | Wolfgang Amadeus Mozart, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | D Major | 0 | 10B | 135 BPM | ||
| Giulio Cesare, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 65 BPM | ||
| Verdi: Messa da Requiem: II. Kyrie eleison | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Daniela Barcellona, Eric Ericson Chamber Choir, Julian Konstantinov, Orfeon Donostiarra, Roberto Alagna, Swedish Radio Choir, Berliner Philharmoniker | A Major | 3 | 11B | 77 BPM | ||
| Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
| Nessun Dorma! | Mario del Monaco | C Major | 3 | 8B | 172 BPM | ||
| Così fan tutte, K. 588 / Act I: "La mia Dorabella" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 128 BPM | ||
| Faust, CG 4, Act III: Quel trouble inconnu – Salut, demeure chaste et pure | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
| Il Trovatore - Act II | Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Renato Ercolani, Giuseppe Verdi, Fedora Barbieri, Luisa Villa, Herbert von Karajan, Orchestra and Chorus of La Scala, Nicola Zaccaria | G Major | 3 | 9B | 128 BPM | ||
| Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
| Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | D Major | 1 | 10B | 132 BPM | ||
| Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | ||
| La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | E Major | 2 | 12B | 138 BPM | ||
| Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
| La Traviata: Act II: Noi siamo zingarelle | Giuseppe Verdi, Georges Prêtre, RCA Italiana Opera Orchestra, RCA Italiana Opera Chorus | B Minor | 0 | 10A | 121 BPM | ||
| La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Pumeza Matshikiza, Aarhus Symphony Orchestra, Tobias Ringborg | D Major | 2 | 10B | 89 BPM | ||
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeur de Radio France | D Major | 1 | 10B | 101 BPM |