"Antithesis" by From Sorrow To Serenity had its release date on November 24, 2013. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 4 in Antithesis by From Sorrow To Serenity. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Antithesis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Antithesis by From Sorrow To Serenity is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Enter the Limbo | The Dali Thundering Concept, Aaron Matts, Clem RICHARD | F♯ Minor | 10 | 11A | 113 BPM | ||
| No Spit | Breakdowns At Tiffany's | B♭ Minor | 10 | 3A | 147 BPM | ||
| Alone | As Within, So Without | F♯ Major | 9 | 2B | 130 BPM | ||
| Left For Dead | Volumes | D♭ Major | 9 | 3B | 194 BPM | ||
| Redefine | Circle of Contempt | F Minor | 10 | 4A | 160 BPM | ||
| Where I Belong | Anup Sastry, Andy Cizek | F Minor | 10 | 4A | 185 BPM | ||
| Comfort in Familiar Pain | Sentinels | D♭ Major | 10 | 3B | 196 BPM | ||
| Speechless / Deaf | Harmed | B♭ Minor | 10 | 3A | 170 BPM | ||
| Blood Wine | Above, Below | B♭ Minor | 10 | 3A | 196 BPM | ||
| Ephemeral | Above, Below | E Minor | 10 | 9A | 115 BPM | ||
| Encapsulate | Levels, Josh Stewart | E♭ Major | 10 | 5B | 140 BPM | ||
| Exit The Matrix | Threat Signal | A♭ Minor | 10 | 1A | 120 BPM | ||
| Blood Eagle | Periphery | D♭ Major | 10 | 3B | 125 BPM | ||
| Deafblind | I Am Noah | D Major | 10 | 10B | 105 BPM | ||
| Proxy | Valis Ablaze | B♭ Minor | 9 | 3A | 150 BPM | ||
| Trilogy | Silent Planet | G Major | 9 | 9B | 128 BPM | ||
| Nine Lives | Alaska | D Major | 9 | 10B | 140 BPM | ||
| Voyager | Blueshift | C Major | 10 | 8B | 120 BPM | ||
| The Great Repeat | After The Burial | E Minor | 10 | 9A | 195 BPM | ||
| The Abyss | Termina | D Major | 9 | 10B | 135 BPM | ||
| Hegemony | Alaska | C Major | 9 | 8B | 160 BPM | ||
| Doppelgänger | The Oklahoma Kid, Kassim Auale | A♭ Minor | 9 | 1A | 125 BPM | ||
| Forsaken | From Sorrow To Serenity | F Major | 10 | 7B | 108 BPM | ||
| Anima | Revaira | F♯ Minor | 10 | 11A | 170 BPM | ||
| Lights | Adept | A♭ Major | 9 | 4B | 188 BPM |