Rob Lynch's 'True Romance' had a release date set for November 22, 2013. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 12 in All These Nights in Bars Will Somehow Save My Soul by Rob Lynch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, True Romance's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of True Romance by Rob Lynch is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Joy Comes with the Morning | Red City Radio | D♭ Major | 8 | 3B | 144 BPM | ||
| So Long (feat. Frank Turner) | Donots, Frank Turner | B Major | 7 | 1B | 180 BPM | ||
| Singalong | Ben Marwood | C Major | 7 | 8B | 110 BPM | ||
| Peggy Sang The Blues | Frank Turner | C Major | 8 | 8B | 91 BPM | ||
| Unforgiven | Young Rebel Set | F♯ Major | 5 | 2B | 102 BPM | ||
| Death on the Streets | Abramowicz | C Minor | 9 | 5A | 165 BPM | ||
| Marching in Time | CHEWIE | B Major | 8 | 1B | 146 BPM | ||
| 31/32 | Rob Lynch | B Minor | 7 | 10A | 130 BPM | ||
| My Friends & I | Rob Lynch | G Major | 8 | 9B | 111 BPM | ||
| Young New England | Transit | A♭ Major | 6 | 4B | 100 BPM | ||
| Show Your Feathers & Run | Young Rebel Set | A♭ Major | 8 | 4B | 168 BPM | ||
| King for a King | Will Varley | E Major | 3 | 12B | 184 BPM | ||
| Captive Audience | Nothington | D♭ Major | 10 | 3B | 196 BPM | ||
| Silence | Brian Fallon | E Major | 6 | 12B | 144 BPM | ||
| Free Tonight | Northcote | C Major | 8 | 8B | 114 BPM | ||
| I Got This Email | Will Varley | C Major | 4 | 8B | 137 BPM | ||
| Our Lives Our Time | Chadwick Stokes | G Minor | 7 | 6A | 176 BPM | ||
| Heads or Tails | Jared Hart | D Major | 5 | 10B | 141 BPM | ||
| Meet Me in the Shade - Kaputtmacher Live-Session | Chris Cresswell | D Major | 5 | 10B | 79 BPM | ||
| Forefathers | Jim Lockey and the Solemn Sun | D♭ Major | 6 | 3B | 179 BPM | ||
| Restless | Rumbleseat | G Major | 6 | 9B | 82 BPM | ||
| £5.25 | Sean McGowan | D Major | 6 | 10B | 104 BPM | ||
| Reasons Not to Be an Idiot | Frank Turner | A Major | 6 | 11B | 145 BPM | ||
| We Are No Longer Twenty-Five | Ben Marwood | A♭ Major | 0 | 4B | 82 BPM | ||
| Hollywood | Karl V | F Major | 1 | 7B | 140 BPM |