"Adage 1" by Rob Thaller had its release date on 2009. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Rob Thaller's "Music for Ballet Class" album is number 16 out of 51. On top of that, United States appears to be the country where this track was created. Adage 1 is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Adage 1 by Rob Thaller to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Warm up Pointe 1. Metre 4/4. | Vadim Proshich, MetodoVadim | F Major | 2 | 7B | 90 BPM | ||
| Rigoletto, Act III: La Donna É Mobile (Battement Tendu) | Giuseppe Fortunino Verdi, Charles Mathews | G Major | 1 | 9B | 119 BPM | ||
| Plies (with Repeat) | Miro Magloire, Wilhelm Burmann | C Major | 0 | 8B | 85 BPM | ||
| Battements frappés (J. Strauss II Op.214) | Youngsin Sarah Choi | F Major | 2 | 7B | 90 BPM | ||
| Plie/Rises (Excerpt from Giselle) | A. Adam, Rob Thaller | D♭ Major | 0 | 3B | 105 BPM | ||
| Walks on Pointe (Excerpt from Swan Lake, Op. 20) | Pyotr Ilyich Tchaikovsky, Rob Thaller | E♭ Major | 1 | 5B | 95 BPM | ||
| Pas Échappée Pointe. Metre 4/4. | Vadim Proshich, MetodoVadim | E♭ Major | 1 | 5B | 89 BPM | ||
| Grand battement in E-Flat Major | Konstantin Mortensen | E♭ Major | 3 | 5B | 85 BPM | ||
| Jete. 2/4 64 Counts. | Marina Stolyar | G Major | 1 | 9B | 75 BPM | ||
| Slow Battement Tendu Dream a Little Dream | Matthew J Gregory | G Major | 2 | 9B | 96 BPM | ||
| Music for Ballet Class, Series 1: Battements tendus 1 | Massimiliano Greco | A♭ Major | 4 | 4B | 109 BPM | ||
| Tendu - 4/4 | Venti Petrov, Ferdy Tumakaka | E Major | 2 | 12B | 111 BPM | ||
| Pirouette: Prima Donna (From "Phantom of the Opera") | Trisha Wolf | F Major | 3 | 7B | 130 BPM | ||
| Plie 2 (Excerpt from Coppelia) | Léo Delibes, Rob Thaller | F Major | 0 | 7B | 142 BPM | ||
| Waltz | Whitefeather Productions | B♭ Major | 1 | 6B | 154 BPM | ||
| Battement Tendu 2/4 (Hungarian Dance n°7) | The Ballet Pianist | F Major | 2 | 7B | 105 BPM | ||
| Piké Turns | Adrienne Ramm | G Major | 4 | 9B | 170 BPM | ||
| Battements Jetes 4/4 8×4 | Galina Bezuglaya | E Major | 0 | 12B | 63 BPM | ||
| Rond de Jambe a Terre (Don Quixote) | David Howard, Mark Jelks | E Minor | 0 | 9A | 112 BPM | ||
| Battement Tendu 4/4 Belle | Ashman/Menken, Lisa Harris | C Major | 2 | 8B | 105 BPM | ||
| Pliés in B-Flat Major, Waldszenen, Op.82, Abschied | Robert Schumann, Konstantin Mortensen | B♭ Major | 1 | 6B | 81 BPM | ||
| Battements tendus Ⅱ 2/4 (The Sleeping Beauty) | Eun S. Kim | G Major | 2 | 9B | 134 BPM | ||
| Pas De Bourrée Pointe. Metre 2/4. | Vadim Proshich, MetodoVadim | E♭ Major | 1 | 5B | 89 BPM | ||
| Degagés (Rhumba) | Caleb Fawcett | E♭ Major | 0 | 5B | 128 BPM | ||
| Second Pirouette Waltz (from Don Quixote) | Douglas Schultz, Ludwig Minkus | G Major | 1 | 9B | 174 BPM |