- BPM
- 91
- Key
- G Major
- Camelot
- 9B
Elfentanz, Op. 39 by David Popper, Raphaela Gromes, Julian Riem Song Details
David Popper, Raphaela Gromes, Julian Riem's ' "Elfentanz, Op. 39" was released on its scheduled release date, October 8, 2021. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Elfentanz, Op. 39's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Raphaela Gromes, Julian Riem's "Imagination" album is number 17 out of 19. In terms of popularity, Elfentanz, Op. 39 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
We consider the tempo marking of Elfentanz, Op. 39 by David Popper, Raphaela Gromes, Julian Riem to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Music Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 11%
- Loudness
- -19.502 dB
- Acousticness
- 96%
- Danceability
- 48%
- Energy
- 32%
- Instrumentalness
- 87%
- Liveness
- 12%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 54%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | |
 | Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | |
 | Spanish Dances, Op. 21: No. 2, Habañera | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | A Minor | 2 | 8A | 93 BPM | |
 | Capriccio for Solo Viola, Op. 55 | Henri Vieuxtemps, Antoine Tamestit | C Minor | 0 | 5A | 126 BPM | |
 | Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | |
 | Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | |
 | Tzigane, M. 76 (Version for Violin & Orchestra) | Maurice Ravel, Itzhak Perlman, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 98 BPM | |
 | String Quartet No. 4 in C Minor, Op. 18 No. 4: 1. Allegro ma non tanto | Ludwig van Beethoven, Emerson String Quartet | C Minor | 1 | 5A | 153 BPM | |
 | Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Yo-Yo Ma | D Minor | 2 | 7A | 147 BPM | |
 | The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | |
 | Allegro Appassionato Op. 43 | Camille Saint-Saëns, 欧阳娜娜, 江天霖 | E Minor | 1 | 9A | 127 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | |
 | Cinderella, Op. 87, Act II: Waltz-Coda (Arr. M. Rostropovich) | Sergei Prokofiev, Lynn Harrell, Pavel Gililov | G Major | 3 | 9B | 80 BPM | |
 | Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 3 | 8B | 150 BPM | |
 | La Cinquantaine - Arranged for Cello and Harp by Miriam Keogh | Gabriel-Marie, None, Sebastian Comberti, Miriam Keogh | A Major | 1 | 11B | 90 BPM | |
 | String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | D Major | 1 | 10B | 174 BPM | |
 | Carmen (Bizet) - Fantasie brillante | Jenő Hubay, Gil Shaham, Akira Eguchi | D Major | 2 | 10B | 114 BPM | |
 | Concerto for Viola & Orchestra: I. Andante comodo | William Walton, Yuri Bashmet, André Previn | D Minor | 0 | 7A | 87 BPM | |
 | Cello Sonata No. 1 in E Minor, Op. 38 No. 1 (Arr. for 2 Cellos): I. Allegro non troppo | Bernhard Romberg, VC2 Cello Duo | E Minor | 3 | 9A | 133 BPM | |
 | Serenade (Spanish Dance), Op. 54, No. 1 | David Popper, Peter Breiner, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Gerhard Markson | G Major | 0 | 9B | 87 BPM | |
 | Im Walde, Op. 50: I. Eintritt (version for cello and piano) | David Popper, Martin Rummel, Mari Kato | E♭ Major | 2 | 5B | 120 BPM | |
 | Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Johannes Moser, Ewa Kupiec | B♭ Major | 0 | 6B | 92 BPM | |
 | Zigeunerweisen, Op. 20 (version for violin and orchestra) | Pablo de Sarasate, Ruggiero Ricci, London Symphony Orchestra, Pierino Gamba | C Minor | 1 | 5A | 108 BPM | |
 | Paganini: 24 Caprices, Op. 1: No. 1 in E Major | Niccolò Paganini, Itzhak Perlman | E Major | 3 | 12B | 102 BPM | |
 | Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records