"Lamentations Ieremiae Prophetae: Iod I" by Alonso Lobo, Tenebrae, Nigel Short had its release date on March 28, 2011. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Victoria: Requiem Mass, 1605 by Tenebrae, Nigel Short. The song's track number on the album is #26 out of 32 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Lamentations Ieremiae Prophetae: Iod I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lamentations Ieremiae Prophetae: Iod I by Alonso Lobo, Tenebrae, Nigel Short has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lamentations Ieremiae Prophetae: Iod I being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Songs of Farewell: There is an Old Belief | Hubert Parry, Tenebrae, Nigel Short | G Major | 0 | 9B | 62 BPM | ||
| Missa O lumen ecclesie: Christe | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 3 | 11A | 78 BPM | ||
| Miserere: II. Amplius lavame ; Quoniam iniquitatem meam - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | E Minor | 0 | 9A | 69 BPM | ||
| Vespro della Beata Vergine, SV 206: Esurientes | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | B♭ Major | 1 | 6B | 91 BPM | ||
| Une vierge féconde | Anonyme, Maitrise Notre-Dame De Paris, Lionel Sow, Yves Castagnet | A Minor | 1 | 8A | 77 BPM | ||
| Drop, Drop Slow Tears - Arr. for Saxophone and Vocal Ensemble by Christian Forshaw | Christian Forshaw, Orlando Gibbons, Tenebrae, Nigel Short | B♭ Major | 1 | 6B | 68 BPM | ||
| Spiritual Gregorian Chants Chant Templar Chant Peaceful Monks | Choir Of St. Abuscus, Chants of Eternity | A Minor | 2 | 8A | 112 BPM | ||
| Liturgy of St. John Chrysostom for Chorus, Op. 31: VIII. Cherubimic Hymn: "Which Cherubim..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | E Minor | 1 | 9A | 91 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Annunciation of the Procession | Komitas, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 1 | 3B | 82 BPM | ||
| Lamentations Ieremiae Prophetae: Pars mea Dominus | Alonso Lobo, Tenebrae, Nigel Short | B Minor | 1 | 10A | 85 BPM | ||
| Our Father | Sergei Rachmaninoff, Tenebrae, Nigel Short | F Minor | 0 | 4A | 87 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Hymn to St. Cecilia | Benjamin Britten, Tenebrae | E Major | 1 | 12B | 72 BPM | ||
| Standing as I do before God | Cecilia McDowall, Tenebrae, Nigel Short, Emma Walshe | D Major | 1 | 10B | 80 BPM | ||
| Hear my prayer, O Lord, full anthem, Z.15 | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent | D♭ Major | 1 | 3B | 73 BPM | ||
| Vidimus Stellam: III. Hodie Christus Natus Est | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| Motetti per concerti ecclesiastici: No. 8, Quem vidistis pastores | Giovanni Bassano, Il Pomo D'oro, Giuseppe Maletto | G Minor | 1 | 6A | 100 BPM | ||
| Luminosity, II. The Changing Scenes | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| 3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Kantos Chamber Choir, Ellie Slorach | F Minor | 0 | 4A | 140 BPM | ||
| Responsories for Maundy Thursday Nocturn 2: III. Unus ex discipulis meis tradet me hodie | Tomás Luis de Victoria, Tenebrae, Nigel Short | D Minor | 0 | 7A | 88 BPM | ||
| Vidimus Stellam: II. Rorate Caeli | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | A Major | 1 | 11B | 74 BPM | ||
| Jubilus rhythmicus de nomini Jesu (2) | St. Bernard von Clairvaux, Ensemble Officium, Wilfried Rombach | E♭ Major | 0 | 5B | 130 BPM | ||
| Vespers: No. 1, The Opening Psalm | Benedict Sheehan, Michael Hawes, Timothy Parsons, The Saint Tikhon Choir | D Major | 0 | 10B | 84 BPM | ||
| Adam Lay Ybounden | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| Surge Illuminare - Live | Michael John Trotta, Tenebrae, Nigel Short | D Major | 1 | 10B | 132 BPM |