Edward Jay, Fiona Ruth Barrow's 'Making Memories' had a release date set for February 1, 2012. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Making Memories's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 15 in Cafe Culture by Edward Jay, Fiona Ruth Barrow. Making Memories is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Making Memories by Edward Jay, Fiona Ruth Barrow is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| J’aime Paris au mois de mai | Laura Anglade, Sam Kirmayer | E Minor | 2 | 9A | 78 BPM | ||
| Praising the Seine | Joe E. Lee | F Major | 2 | 7B | 215 BPM | ||
| Les voyages | Jeanne Moreau | G Major | 4 | 9B | 82 BPM | ||
| When Before Became After | Medité | D Major | 4 | 10B | 134 BPM | ||
| Je Ne Sais Qui Fumer | Paris Combo | B♭ Minor | 4 | 3A | 118 BPM | ||
| Sidonie - From Vie privée 1961 | Brigitte Bardot | C Major | 2 | 8B | 139 BPM | ||
| C'est ça l'amour | Les Sœurs Étienne | G Major | 1 | 9B | 119 BPM | ||
| Step Into Spring | Edward Jay, Fiona Ruth Barrow | B Minor | 3 | 10A | 110 BPM | ||
| Chaud Devant | Menilmuche | C Major | 3 | 8B | 177 BPM | ||
| Just Take Me in Your Arms | Alfonso de Vilallonga | C Major | 3 | 8B | 123 BPM | ||
| Chez Moi | Blossom Dearie | G Major | 4 | 9B | 93 BPM | ||
| La Javanaise | George Laffitte | C Major | 3 | 8B | 163 BPM | ||
| Mon Tournesol | Les Petits Parisians | C Major | 5 | 8B | 95 BPM | ||
| Le Marais | Cavendish Music | C Major | 3 | 8B | 128 BPM | ||
| Me and My Accordion | Joe E. Lee | D♭ Major | 3 | 3B | 99 BPM | ||
| Amour, castagnettes et tango | Gloria Lasso | D Minor | 3 | 7A | 116 BPM | ||
| Jewel Thief | Vasco, Edward Jay | G Major | 3 | 9B | 90 BPM | ||
| Le tournis | Armand Lassagne | C Major | 7 | 8B | 107 BPM | ||
| Je suis vous tous qui m'écoutez | Jeanne Moreau | G Major | 2 | 9B | 111 BPM | ||
| A Little Waltz For Mischa | The Hot Club Of San Francisco | G Major | 4 | 9B | 171 BPM | ||
| Exactly Like You | Martha Tilton, The Carl Kresstette | A♭ Major | 2 | 4B | 149 BPM | ||
| Aux Champs-Elyseés | Le Bleu Ensemble | C Major | 3 | 8B | 89 BPM | ||
| Étranger au paradis | Gloria Lasso | A♭ Major | 1 | 4B | 100 BPM | ||
| Oscar | Alma Sinti | G Minor | 4 | 6A | 103 BPM | ||
| Pipi | Patricia Wood, Bernd Schoenhart | F Major | 2 | 7B | 137 BPM |