Bach, Serkmusic's ' "Variation 20" was released on its scheduled release date, June 25, 2025. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Variation 20's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 32 in Bach-Goldberg Variations by Bach, Serkmusic. In terms of popularity, Variation 20 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Variation 20 by Bach, Serkmusic is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rameau: Deuxième livre de pièces de clavecin, Suite en mi mineur: VIII. Tambourin | Jean-Philippe Rameau, György Cziffra | F♯ Minor | 3 | 11A | 112 BPM | ||
| Brandenburg Concerto No.4b in G - Remastered | Johann Sebastian Bach, Producer 9-0 | D♭ Minor | 4 | 12A | 117 BPM | ||
| Scarlatti, D: Keyboard Sonata in F Minor, Kk. 466 | Domenico Scarlatti, Christian Zacharias | B♭ Major | 2 | 6B | 158 BPM | ||
| Concerto en la majeur pour Hautbois d'amour: Largo | Georg Philipp Telemann, Orchestre Paul Kuentz, Jean-Marc Labylle, Régis Manceau, Gildas Prado | A Major | 3 | 11B | 128 BPM | ||
| Ground in C Minor, Z. 221 | Henry Purcell, Вадим Холоденко | B♭ Minor | 4 | 3A | 157 BPM | ||
| Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
| 6 Keyboard Concertos, Op. 3: No. 6 in E-Flat Major: III. Rondo. Allegro (Performed on Harp) | Johann Samuel Schroeter, Silke Aichhorn, Südwestdeutsches Kammerorchester Pforzheim, Douglas Bostock | E♭ Major | 2 | 5B | 90 BPM | ||
| Antigua 3 (Courante) | Claudio Constantini | D Major | 5 | 10B | 67 BPM | ||
| Mark's Dream | Savelu | D Minor | 1 | 7A | 78 BPM | ||
| Mordecai's Dance | Vintage Realm | E Major | 1 | 12B | 152 BPM | ||
| 8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 129 BPM | ||
| Suite en ré: Premier Double des Niais | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
| Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Marie-Claire Alain | B Minor | 0 | 10A | 71 BPM | ||
| September II | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 0 | 5A | 81 BPM | ||
| Keyboard Sonata in F Minor, Kk. 466 | Julius Asal, Domenico Scarlatti | B Minor | 0 | 10A | 69 BPM | ||
| Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: VII. Gavotte et 6 doubles | Jean-Philippe Rameau, Trevor Pinnock | A♭ Minor | 4 | 1A | 100 BPM | ||
| Ciacona in G Minor, Z. 730 | Henry Purcell, English Chamber Orchestra, Benjamin Britten | G Minor | 2 | 6A | 78 BPM | ||
| The Nightmare Song | Olive the Otter Dog | B Major | 0 | 1B | 166 BPM | ||
| Franck: Prélude, fugue et variation, Op. 18, FWV 30: I. Prélude | César Franck, Vincent Dubois | B Minor | 0 | 10A | 56 BPM | ||
| Oboe Concerto in D Minor: Adagio | Alessandro Marcello, Janos Sebestyen | C Minor | 0 | 5A | 68 BPM | ||
| Prélude, fugue & variation, Op. 18: I. Prélude | César Franck, Alice Ader, Ensemble Ader | B♭ Major | 0 | 6B | 168 BPM | ||
| Passacaille | Luigi Rossi, Franck Marcon | C Major | 1 | 8B | 175 BPM | ||
| Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
| Symphony No. 8 in C Minor: II. Andante | William Herschel, Matthias Bamert, London Mozart Players | G Minor | 0 | 6A | 141 BPM | ||
| Fantasie g-Moll "duobus subjectis" BWV 917 | Inge Rosar | A Minor | 3 | 8A | 64 BPM |