Alexander Dmitriyevich Kastalsky, Conspirare, Craig Hella Johnson's 'Znamenny Chant: As Many Have Been Baptized, Op. 18c' had a release date set for February 10, 2014. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Znamenny Chant: As Many Have Been Baptized, Op. 18c's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Sacred Spirit of Russia". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Znamenny Chant: As Many Have Been Baptized, Op. 18c is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Znamenny Chant: As Many Have Been Baptized, Op. 18c by Alexander Dmitriyevich Kastalsky, Conspirare, Craig Hella Johnson having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Messe Solennelle, Op. 16 - Agnus Dei | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A♭ Major | 1 | 4B | 135 BPM | ||
| In illo tempore cum sublevasset | Francisco Guerrero, A5 Vocal Ensemble | A Minor | 1 | 8A | 80 BPM | ||
| The Lord's Prayer | John Sheppard, Stile Antico | A♭ Major | 1 | 4B | 80 BPM | ||
| Liturgical Chants: O Holy God | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 0 | 3B | 179 BPM | ||
| Ave Maria: II. | Henrik Colding-Jørgensen, Brunnsbo Music Classes Children's Choir, Anne Johansson | A Minor | 1 | 8A | 160 BPM | ||
| Halleluja | Melchior Vulpius, Gunnar Mørch, Sandefjord Jentekor, Sverre Valen | C Major | 1 | 8B | 94 BPM | ||
| In Thee, O Full of Grace | The Chamber Choir of St. Tikhon's Monastery, Benedict Sheehan | G Major | 1 | 9B | 126 BPM | ||
| MISA IN TE DOMINE SPERAVI: Kyrie | Francisco Guerrero, A5 Vocal Ensemble | D Minor | 2 | 7A | 72 BPM | ||
| Cause Me to Hear | Heart Cry Ensemble | F Major | 2 | 7B | 123 BPM | ||
| Troparion of St. Tikhon of Zadonsk - Valaam Chant, Arr. T Heckman | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | D Major | 1 | 10B | 69 BPM | ||
| Troparia of Paschal Hours (Tone 8) | St. Symeon Orthodox Church Octet | F♯ Major | 2 | 2B | 76 BPM | ||
| Our Song - Arr. Dan Walker | Kate Miller-Heidke, Keir Nuttall, Gondwana Voices, Lyn Williams | G Minor | 1 | 6A | 80 BPM | ||
| Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 84 BPM | ||
| Svete Tihiy | Stellenbosch University Choir | E Major | 2 | 12B | 77 BPM | ||
| Brotherly Prayer for the Fallen Heroes: No. 4, The Bride’s Lament | Alexander Dmitriyevich Kastalsky, Klavdiy Ptitsa, Lyudmila Belobragina, Yevgeny Svetlanov, USSR State Symphony Orchestra | G Major | 1 | 9B | 79 BPM | ||
| Lassus : "Ove d'altra montagna ombra non tocchi" | Orlande de Lassus, Wolfgang Helbich & Alsfeld Vocal Ensemble, Wolfgang Helbich | E♭ Major | 0 | 5B | 86 BPM | ||
| Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| O Mensch, bewein dein Sünde gross | Caspar Othmayr, Vox Luminis, Lionel Meunier, Haru Kitamika | F Major | 1 | 7B | 95 BPM | ||
| Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | ||
| The Liturgy of St. John Chrysostom: V. Cherubimic Hymn | Alexander Dmitriyevich Kastalsky, Andrey Zaboronok, Bolshoi Theatre Children's Choir | E Minor | 0 | 9A | 129 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Passion Week, Op. 58: VIII. The Wise Thief | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Major | 0 | 4B | 65 BPM | ||
| Liturgy of St. John Chrysostom, Op. 41: VII. Lord Have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | B♭ Major | 3 | 6B | 82 BPM | ||
| Ave Virgo Sanctissima | Francisco Guerrero, The Rose Ensemble, Jordan Sramek | B Minor | 1 | 10A | 135 BPM |