"Forever And Ever For Hyperviolin And Chamber Orchestra - Coda: Joyous" by Tod Machover had its release date on April 4, 2006. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Tod Machover's "Machover: Hyperstring Trilogy" album is number 21 out of 21. On top of that, United States appears to be the country where this track was created. Forever And Ever For Hyperviolin And Chamber Orchestra - Coda: Joyous is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Forever And Ever For Hyperviolin And Chamber Orchestra - Coda: Joyous by Tod Machover to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| the little match girl passion: patience, patience! | David Lang, Theatre Of Voices, Paul Hillier | B♭ Minor | 3 | 3A | 93 BPM | ||
| Echoes Of Eternity | Monks Of The Abbey Of Notre Dame, Capella Gregoriana Easo, Wonderworker, The Schola Cantorum of St. John XXIII Parish | C Major | 0 | 8B | 135 BPM | ||
| the little match girl passion: penance and remorse | David Lang, Theatre Of Voices, Paul Hillier | D♭ Major | 0 | 3B | 117 BPM | ||
| Caramelo | Saintangel | D♭ Major | 0 | 3B | 145 BPM | ||
| Vasile Gherasim | Redkattseven | A♭ Major | 5 | 4B | 85 BPM | ||
| Act III: Trial, Prison, "I Feel The Earth Move" | Philip Glass Ensemble | G Major | 1 | 9B | 75 BPM | ||
| Death and the Powers: Scene VIII. One Last Time | Tod Machover, Randy Weiner, James Maddalena, Joélle Harvey, Gil Rose, Boston Modern Orchestra Project | B♭ Major | 4 | 6B | 102 BPM | ||
| Memory Eternal, Op. 9 No. 15 | Pavel Chesnokov, PaTRAM Institute Singers, Peter Jermihov, Alexis Lukianov | A Major | 4 | 11B | 136 BPM | ||
| In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | A Major | 2 | 11B | 139 BPM | ||
| Organic | Philip Glass | D Minor | 0 | 7A | 65 BPM | ||
| Hyper-Dim-Sums: No. 1, Glade | Tod Machover, iO String Quartet | A Minor | 1 | 8A | 148 BPM | ||
| Negar | rodrigo lopez | D♭ Major | 10 | 3B | 120 BPM | ||
| Part 2.2 | Jóhann Jóhannsson, Guðmundur Sigurðsson, Hörður Bragason, Skúli Sverrisson, Matthías M.D. Hemstock, Caput Ensemble, Guðni Franzson | G Major | 1 | 9B | 74 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | A Major | 0 | 11B | 92 BPM | ||
| BLUEBANDZ II | Da Surpressor | D♭ Major | 1 | 3B | 74 BPM | ||
| Lay All Heaven | LeoRoads | B♭ Minor | 2 | 3A | 173 BPM | ||
| Mother Stops Baba | A.R. Rahman | G Major | 3 | 9B | 65 BPM | ||
| In the Light of Air: II. Serenity | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 1 | 8B | 69 BPM | ||
| 1ere Suite: Allemande | Johann Julius Sontag von Holt Sombach, Thomas Bloch | D Minor | 0 | 7A | 70 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
| Ik Heb Gejaagd, Wel Jaren Lang (Johannes Brugman) | Martien van der Knijff | A♭ Major | 2 | 4B | 105 BPM | ||
| Last Days, Act 1, Scene 3: Blake Listens to Opera | Oliver Leith, Jack Sheen, 12 Ensemble, GBSR Duo | E♭ Minor | 1 | 2A | 83 BPM | ||
| Original Chaostrophy | Coil | F♯ Major | 4 | 2B | 81 BPM | ||
| Brothers Without Blood | Ray Odoh | E Minor | 6 | 9A | 97 BPM | ||
| Fratres (Version for String Quartet) | Arvo Pärt, Rudolf Werthen, Arnold Kobyliansky, Michael Kugel, France Springuel | C Minor | 0 | 5A | 73 BPM |