Track 145 - Andromeda - Perry Rhodan - Silber Edition 27 by K. H. Scheer, H.G. Ewers, Clark Darlton, Josef Tratnik Song Details

K. H. Scheer, H.G. Ewers, Clark Darlton, Josef Tratnik's ' "Track 145 - Andromeda - Perry Rhodan - Silber Edition 27" was released on its scheduled release date, October 1, 2010. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 145 out of 309 in Andromeda (Perry Rhodan - Silber Edition 27) by K. H. Scheer, H.G. Ewers, Clark Darlton. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Track 145 - Andromeda - Perry Rhodan - Silber Edition 27 is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

The tempo marking of Track 145 - Andromeda - Perry Rhodan - Silber Edition 27 by K. H. Scheer, H.G. Ewers, Clark Darlton, Josef Tratnik is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -13.621 dB
Acousticness: 28%
Danceability: 63%
Energy: 35%
Instrumentalness: 0%
Liveness: 34%
Loudness: 77%
Speechiness: 96%
Valence: 76%

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