David S. Ware, Hamid Drake, Matthew Shipp, William Parker's 'Sentient Compassion' had a release date set for February 22, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in The David S. Ware Quartet's "Live In The World" album is number 3 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, Sentient Compassion is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sentient Compassion by David S. Ware, Hamid Drake, Matthew Shipp, William Parker to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin | Paul Bley Trio | D♭ Major | 0 | 3B | 78 BPM | ||
| Of All Places | The Keys to the Sub, Albert Beger, Asaf Finkelstein, Adam Ben Ezra | D♭ Major | 1 | 3B | 98 BPM | ||
| DessaLinienne AyiTi LiberateD | Jowee Omicil | B♭ Major | 4 | 6B | 131 BPM | ||
| Come Sunday | Cannonball Adderley Sextet | F♯ Major | 1 | 2B | 79 BPM | ||
| Concepts In Blue | J.J. Johnson | G Major | 3 | 9B | 79 BPM | ||
| The Dancing Girl | Pete La Roca | F Minor | 5 | 4A | 104 BPM | ||
| Perceptual | Brian Blade Fellowship | D Major | 2 | 10B | 110 BPM | ||
| Missing Pieces | VMV Trio, Vincenzo Di Gioia, Marco Cutillo, Vito Tenzone | C Major | 3 | 8B | 114 BPM | ||
| Sweet And Lovely | Booker Little | C Major | 2 | 8B | 109 BPM | ||
| Ballet | Gary Burton Quartet | A♭ Major | 4 | 4B | 98 BPM | ||
| Family Joy, Oh Boy !, Pt. 2 | Michael Gibbs | D♭ Major | 7 | 3B | 183 BPM | ||
| Nowhere (For Bob Moses), Pt. 2 | Michael Gibbs | E Minor | 5 | 9A | 122 BPM | ||
| Whatthefuckdoyouwant 1 | Peter Brötzmann, Sonny Sharrock | F Major | 5 | 7B | 92 BPM | ||
| Yocahú | Fernando García, The Lux Quintet, William Cepeda | C Major | 3 | 8B | 114 BPM | ||
| Let's Face the Music and Dance | Danny Grissett, Ambrose Akinmusire, Seamus Blake, Vicente Archer, Kendrick Scott | F Major | 3 | 7B | 139 BPM | ||
| Valsa ourico | Jean-Marie Machado, Claude Tchamitchian, Zé Luis Nascimento | C Major | 3 | 8B | 114 BPM | ||
| Footprints - Live at "mu" | Kahil El'Zabar, Ethnic Heritage Ensemble | E Major | 3 | 12B | 98 BPM | ||
| 5Th Dimensional - Original Version | David S. Ware | F Minor | 4 | 4A | 85 BPM | ||
| dualities | Joe Sanders, Logan Richardson, Seamus Blake, Greg Hutchinson | B Major | 5 | 1B | 97 BPM | ||
| Djam’s | Michel Portal, Andy Emler, Richard Galliano, Mino Cinelu, Jean Schwarz, Jean-François Jenny-Clark, Harry Pepl, Claude Barthélemy, Jannick Top, Bernard Lubat, André Cecarelli | E Major | 2 | 12B | 164 BPM | ||
| Unknow Know With What Is | SFJAZZ Collective, Chris Potter, David Sánchez, Mike Rodriguez, Warren Wolf, Edward Simon, Matt Brewer, Kendrick Scott | C Minor | 4 | 5A | 118 BPM | ||
| Bayou Fever | Jack DeJohnette New Directions | G Major | 3 | 9B | 173 BPM | ||
| Evidence | Steve Lacy, Don Cherry | A♭ Major | 3 | 4B | 109 BPM | ||
| Turkish Women at the Bath | Pete La Roca | C Minor | 4 | 5A | 136 BPM | ||
| Abstraction Is Deliverance | James Brandon Lewis, Aruán Ortiz, Brad Jones, Chad Taylor | F Minor | 4 | 4A | 109 BPM |