C. グノー=J.S. バッハ, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ)'s ' "アヴェ・マリア" was released on its scheduled release date, April 25, 2005. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in シンフォニック・クァルティーナ ~4本のチェロのための作品集 5~, so we believe that "アヴェ・マリア" is a single. In terms of popularity, アヴェ・マリア is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of アヴェ・マリア by C. グノー=J.S. バッハ, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 5 Romances: Romance No. 2 'Dusk' | John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
| Café in Paris | Paul Englishby, Jeremy Holland-Smith | G Major | 1 | 9B | 77 BPM | ||
| Première leçon de ténèbres à une voix: He (Arr. for Cello and Synthesizer by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | C Major | 0 | 8B | 72 BPM | ||
| Préludes: Book 1, L. 117: VIII. La fille aux cheveux de lin - Arr. for Harp by Oksana Sidyagina | Claude Debussy, Oksana Sidyagina | D Major | 0 | 10B | 95 BPM | ||
| Bach: Ave Maria (Arr. by Charles Gounod) | Su Shien-Ta, Yu Tsui-Ling | C Major | 1 | 8B | 173 BPM | ||
| Jane e Rochester | Claudio Capponi, Alessio Vlad | G Major | 1 | 9B | 68 BPM | ||
| Dear Jesus, We Are Here | Michael Maxwell | G Major | 0 | 9B | 136 BPM | ||
| Sleepy Rain | Rhett ShawcroftStudio | C Major | 1 | 8B | 109 BPM | ||
| Night of Feelings | Ernesto Vallini, Brittanni Kia, Kobe Daller, Metasymphony | A Major | 2 | 11B | 80 BPM | ||
| Sparrow Eye | SOULNOTEX | C Major | 0 | 8B | 72 BPM | ||
| The Secret Glade | Audinity | F Minor | 1 | 4A | 100 BPM | ||
| Silent Keys | Kainny Vig | C Major | 0 | 8B | 72 BPM | ||
| Winter Ends Here | Mavelhy | C Major | 0 | 8B | 72 BPM | ||
| Mirage | Aurora Crescendo | C Major | 5 | 8B | 96 BPM | ||
| Lezioni all’università | Paolo Buonvino | C Major | 0 | 8B | 72 BPM | ||
| Sinfonia in B Minor | Tegelhof Kammerorchester | B Major | 2 | 1B | 78 BPM | ||
| Falling Slow | Luka Tibet | C Major | 0 | 8B | 72 BPM | ||
| Pinocchio: Tema della fata | Nicola Piovani, Trio Schau, Tommaso Lega, Edoardo Lega, Pier Filippo Barbano | G Major | 1 | 9B | 173 BPM | ||
| Child is Born | Anže Rozman, Camilo Forero, Chris Brocato | G Minor | 1 | 6A | 145 BPM | ||
| Two of a Kind | Celtroya | B♭ Major | 3 | 6B | 137 BPM | ||
| The Destination | Evanor Lume | C Major | 0 | 8B | 72 BPM | ||
| Secret Language | Kokoro Shimizu | G Minor | 1 | 6A | 149 BPM | ||
| Closer Than Yesterday | Peter Cavallo | F Minor | 2 | 4A | 78 BPM | ||
| March | Gareth Malone | E Major | 0 | 12B | 84 BPM | ||
| Reflection No. 2 | Camille Thomas, Julien Brocal | C Major | 0 | 8B | 72 BPM |