Tushya Bansode, Swata Ajya, Akya Bansode's ' "Chikani Supari" was released on its scheduled release date, June 17, 2025. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Chikani Supari and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Chikani Supari is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Chikani Supari by Tushya Bansode, Swata Ajya, Akya Bansode is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bol Bajrang Bali Ki Jai - Dahi Handi DJ Mix | Vinay Mandke, Pradnya Khandekar, Kiran Shembekar, Avinash Hande | G Major | 10 | 9B | 139 BPM | ||
| Krishna Janmala | Vaishali Samant, Sonu Kakkar | F Minor | 7 | 4A | 120 BPM | ||
| Patlancha Bailgada | Radha Khude | D♭ Minor | 9 | 12A | 105 BPM | ||
| Thamb Thamb Kasara | Jagdish Patil, Chandu Nakhava, Shashank Patil, Ajit Patil, Avinash Kabadi, Chandrakala Dasari, Sunita Rajgire | A Major | 9 | 11B | 113 BPM | ||
| Baay Mazya Sat Jani Maulya | Ashish Mhatre | D♭ Major | 7 | 3B | 120 BPM | ||
| Hai Jhumka Vali Por (feat. Vinod Kumavat) | NS Production, Dj Abhishek, Megha, Vinod Kumavat | B♭ Major | 8 | 6B | 138 BPM | ||
| Mi Akata Bas | Tirth Sinde | D♭ Minor | 8 | 12A | 158 BPM | ||
| Tuji Feeling | Shubhangii Kedar, Ravindra Khomne | C Major | 7 | 8B | 90 BPM | ||
| Ka.Sa.Ma.De Sambal | Shashikant Kachave | D♭ Major | 8 | 3B | 130 BPM | ||
| Fufuta | Swager Boy | D Major | 7 | 10B | 180 BPM | ||
| Vithurayachi Nagari - Remix | DJ Ammy, Dravesh Patil | C Major | 9 | 8B | 150 BPM | ||
| Lu Lu Lu VS Soda Tatya (Halgi Mix) | Dj Prajwal Obd | B♭ Minor | 9 | 3A | 135 BPM | ||
| Retivala Navra Pahije | Shakuntala Jadhav, Harshala Patil, Dheeraj Madhvi, Ajit Mestri, Vasanti Madhvi, Bhati Madhvi, Anil Vaiti, Animesh Thakur | D♭ Major | 9 | 3B | 90 BPM | ||
| Vallav Re Nakhwa | Arpita Chakraborty | B♭ Major | 4 | 6B | 114 BPM | ||
| Baba Bolato Bangali | Akash Shinde | E♭ Minor | 7 | 2A | 130 BPM | ||
| Sath Samundar Khar Bayanch | Jagdish Patil | F Minor | 9 | 4A | 105 BPM | ||
| Tan Tan Bhan Bhan | SHAMBHO | B♭ Minor | 7 | 3A | 130 BPM | ||
| Nath Bhagvya Kafniwala | Akash Shinde | D♭ Major | 9 | 3B | 100 BPM | ||
| Kalank | MC ROCKET, Year Down | C Major | 9 | 8B | 140 BPM | ||
| Nach Re Mora | Madhura Datar | G Major | 9 | 9B | 95 BPM | ||
| Rang Kala Nay Aavdat | Suga C, Zedba, Sayaa Kamble | B Minor | 7 | 10A | 95 BPM | ||
| Chaal Turu Turu | Abhijeet Sawant, Sonali Sonawane, Prasad Shirsath, Smita Kulkarni, Ganesh Bagul | F♯ Major | 8 | 2B | 135 BPM | ||
| Kaali Bindi | Sanju Rathod, G-SPXRK | A Major | 6 | 11B | 126 BPM | ||
| O Mani Darling | Bhaiya More, Anjana Barlekar | A Major | 8 | 11B | 93 BPM | ||
| Phiri Phiri Nach Pori | Pramod More, Babu More | D♭ Major | 3 | 3B | 110 BPM |