On April 26, 2018, the song "Balma Bada Nadan" was released by Kalpana. This song is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The song is number 7 out of 10 in Best Of Kalpana Bhojpuri Hits Vol-1 by Kalpana. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Balma Bada Nadan is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Balma Bada Nadan by Kalpana is Presto (very, very fast), since this song has a tempo of 189 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hero Bekar Ba Style Ke Bina - From "Tiger" | Alok Kumar, Pyare Lal Yadav, Rajesh Rajnish | D Major | 6 | 10B | 106 BPM | ||
| Hamar Nathiya | Diwakar Dwivedi | F Minor | 10 | 4A | 112 BPM | ||
| Truckwa Ke Kisti | Aashish Yadav | A Major | 9 | 11B | 87 BPM | ||
| Subho Jannmodin | Babul Supriyo | F Major | 7 | 7B | 80 BPM | ||
| Papa Hamar | Khushboo Jain | B Major | 8 | 1B | 80 BPM | ||
| Saheb Kahi Ta Utha Lihal Jao | Alok Kumar, Rekha Rao | B♭ Minor | 10 | 3A | 145 BPM | ||
| Tumi Jodi Axomiya (Jaati Matir Gaan) | Rajib Sadiya | A Major | 7 | 11B | 156 BPM | ||
| Amar Koste Kande Pathor | Miraj Khan | E Minor | 7 | 9A | 136 BPM | ||
| Prano Sokhire | Momtaz | A♭ Minor | 6 | 1A | 90 BPM | ||
| Tum Tara | Amit Kumar, Era Mohanty | A♭ Minor | 9 | 1A | 146 BPM | ||
| Muskan Me Aaha Ka | Sannu Kumar | D♭ Major | 9 | 3B | 150 BPM | ||
| Dulha Pagadi Baandh Muskaaye | Sapna Awasthi, Rajesh Gupta, Vinay Bihari | G Minor | 9 | 6A | 100 BPM | ||
| Rongin Cinema | Momtaz | C Major | 9 | 8B | 140 BPM | ||
| Odhani Ke Kafan otha Jaih | Awadhesh Premi | D♭ Major | 9 | 3B | 120 BPM | ||
| Bahara Me Raja Kaise Nin Aawata | Karina Pandey, Sabita Pandey | E Minor | 8 | 9A | 148 BPM | ||
| Janajate Asabe Rupa | Emon Khan | C Minor | 7 | 5A | 156 BPM | ||
| Je Ba Humra Sanghe Pyar Na Ba | Radhe Shyam Rasiya, Priyanka | B♭ Minor | 6 | 3A | 85 BPM | ||
| Bin Bulaye Chali Aihe | Akshara Singh | D Major | 5 | 10B | 157 BPM | ||
| Kahava Ke Yadav Ji Byapari | Aashish Yadav | D♭ Major | 9 | 3B | 73 BPM | ||
| Tori Prit Me Ho Gai Joganiya | Jittu Khare | B Major | 9 | 1B | 86 BPM | ||
| Bish Khawaiya Mayrala | Emon Khan | D♭ Major | 9 | 3B | 73 BPM | ||
| Bewakat Vichhorda Sajjna Da | Davinder Kohinoor | D Minor | 8 | 7A | 110 BPM | ||
| Sawan Maas Piya | Madan Rai | A♭ Major | 6 | 4B | 139 BPM | ||
| Sadiya Lai Da Balam Calcutiya | Indu Sonali, Koras | F♯ Major | 10 | 2B | 125 BPM | ||
| Ae Raja Khetwa Ke Choda Sb Kaam | Munna Murari, Khesari Lal Yadav, Pawan Singh, Indu Sonali | C Major | 9 | 8B | 105 BPM |