"Clare To Here" by Brian Kennedy, Ralph McTell had its release date on February 28, 2005. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "On Song 2: Red Sails In The Sunset". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Clare To Here's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Clare To Here by Brian Kennedy, Ralph McTell having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When You Say Nothing At All | Frances Black | B Major | 4 | 1B | 176 BPM | ||
| Home Thoughts From Abroad | Clifford T. Ward | C Major | 3 | 8B | 81 BPM | ||
| The Best Is Yet to Come | Clifford T. Ward | E Major | 2 | 12B | 176 BPM | ||
| Edward On Loch Erne's Shore | Lumiere | E Major | 1 | 12B | 94 BPM | ||
| You Raise Me Up | Selah, Brian Kennedy | C Major | 1 | 8B | 115 BPM | ||
| These Days (feat. Ronan Keating) | Brian Kennedy, Ronan Keating | D♭ Major | 5 | 3B | 148 BPM | ||
| May the Road Rise to Meet You | Cathie Ryan | A Major | 1 | 11B | 118 BPM | ||
| Let It Be | De Dannan | D Major | 1 | 10B | 124 BPM | ||
| Child of Mine | Eleanor Shanley, John Feeley | C Major | 2 | 8B | 157 BPM | ||
| The Boys Of Barr Na Sraide | Arcady | F Major | 1 | 7B | 140 BPM | ||
| Gorgeous and Bright | Eleanor Shanley | D Major | 4 | 10B | 135 BPM | ||
| When You Were Sweet Sixteen | Onóir | B♭ Major | 3 | 6B | 200 BPM | ||
| Dear My Maker | The Whileaways | C Major | 3 | 8B | 96 BPM | ||
| When You Were Big and I Was Small | Katie Theasby | D Major | 3 | 10B | 84 BPM | ||
| Can't Help Falling in Love | Luka Bloom | D Major | 2 | 10B | 108 BPM | ||
| Deeper Down the Rabbit Hole | Jack Lukeman | G Major | 8 | 9B | 155 BPM | ||
| Ireland's Call | Phil Coulter, Brian Kennedy, Paul Byrom | D Major | 8 | 10B | 138 BPM | ||
| The Winding Way Down to Kells Bay | Emma Langford, RTE Concert Orchestra | E Major | 2 | 12B | 144 BPM | ||
| The Lakes of Ponchartrain | Onóir | F Major | 3 | 7B | 137 BPM | ||
| Sweet October | Aoife Scott | B Major | 1 | 1B | 136 BPM | ||
| The Dance Of The Cherry Tree | John Spillane | F Major | 5 | 7B | 81 BPM | ||
| The Shipyards and Gdansk | Seán Keane | C Major | 3 | 8B | 112 BPM | ||
| The West's Awake | Lumiere | E Major | 3 | 12B | 83 BPM | ||
| Acadie, Sing Me Home | Blair Douglas, Bruce Guthro | D♭ Major | 4 | 3B | 89 BPM | ||
| The Old Churchyard | Pauline Scanlon | C Major | 2 | 8B | 130 BPM |