VideoHelper's 'Massive Consequences' had a release date set for February 11, 2019. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 65 in Dramatorium by VideoHelper. Based on our statistics, Massive Consequences's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Massive Consequences by VideoHelper is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| adélie | kïngpinguïn, Avery Bright, Matthew S. Nelson | D Major | 5 | 10B | 121 BPM | ||
| Kumiko | Roie Shpigler | E Minor | 6 | 9A | 170 BPM | ||
| Exogenesis (No Big Drums) | VideoHelper | D♭ Minor | 7 | 12A | 100 BPM | ||
| Dark Horse | Michael H Lee, Ghostwriter | D♭ Minor | 3 | 12A | 105 BPM | ||
| Horror Cello | Soundridemusic | F Minor | 5 | 4A | 120 BPM | ||
| Am I Dreaming (Or I'm Living in My Dream) | dceya | F Minor | 2 | 4A | 118 BPM | ||
| Kruger - Spoof | Michael H Lee, Ghostwriter | D♭ Minor | 3 | 12A | 105 BPM | ||
| Winfield House | Nathan Barr, Dimitri Smith | G Minor | 3 | 6A | 140 BPM | ||
| Dragon Dance | Elephant Music | F Minor | 6 | 4A | 93 BPM | ||
| Senja | RØRE | B Minor | 7 | 10A | 89 BPM | ||
| Shape of Lies | Eternal Eclipse | A♭ Major | 6 | 4B | 87 BPM | ||
| The Phoenix | Tom Meira Armony | A Minor | 3 | 8A | 140 BPM | ||
| From Idea to Achievement | Guy Skornik, Elisabeth Skornik | A Minor | 4 | 8A | 104 BPM | ||
| Another Round | Ziv Moran, Oren Tsor | A Minor | 7 | 8A | 90 BPM | ||
| Variation on a Fragment of Time | Elisabeth Skornik, Guy Skornik | F Major | 2 | 7B | 94 BPM | ||
| Duty Calls | Grisly Brill | D Major | 7 | 10B | 160 BPM | ||
| Spectral Echoes | FableForte | C Major | 2 | 8B | 124 BPM | ||
| Sword Sparring | Ghostwriter | E Minor | 5 | 9A | 112 BPM | ||
| Deep Lake | Romeo | E Minor | 3 | 9A | 123 BPM | ||
| The Farewell Serenade | Howard Harper-Barnes | E Minor | 5 | 9A | 130 BPM | ||
| Forgotten Sins | Audiomachine, Harry Lightfoot | G Minor | 8 | 6A | 120 BPM | ||
| Counting the Days | Cody High | F Minor | 4 | 4A | 182 BPM | ||
| Cross the Line | Audiomachine, Harry Lightfoot | G Minor | 8 | 6A | 120 BPM | ||
| On a Knife-Edge | Sémø | A Minor | 7 | 8A | 80 BPM | ||
| Game Of Lies | VideoHelper | A♭ Major | 6 | 4B | 160 BPM |