Louis Armstrong, Oscar Peterson's 'Blues In The Night (My Mama Done Tol' Me)' had a release date set for October 14, 1957. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Louis Armstrong, Oscar Peterson's "Louis Armstrong Meets Oscar Peterson (Expanded Edition)" album is number 4 out of 16. On top of that, United States appears to be the country where this track was created. Blues In The Night (My Mama Done Tol' Me) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Blues In The Night (My Mama Done Tol' Me) by Louis Armstrong, Oscar Peterson to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pennsylvania 6-5000 | Glenn Miller | D♭ Major | 3 | 3B | 146 BPM | ||
| In A Mellow Tone | Ella Fitzgerald, Oscar Peterson | C Major | 2 | 8B | 107 BPM | ||
| Speak Low | McCoy Tyner Trio | C Major | 3 | 8B | 142 BPM | ||
| Stars Fell on Alabama (feat. Scott Hamilton, Andrea Motis) | Joan Chamorro, Rita Payés, Scott Hamilton, Andrea Motis | D Minor | 3 | 7A | 106 BPM | ||
| I Thought I Heard Buddy Bolden Say | Jelly Roll Morton | F Major | 2 | 7B | 86 BPM | ||
| Detour Ahead (take 2) | Bill Evans Trio | A Minor | 1 | 8A | 98 BPM | ||
| This Here | Bobby Timmons | F Major | 5 | 7B | 95 BPM | ||
| My Blue Heaven | Mary Lou Williams | F Minor | 3 | 4A | 70 BPM | ||
| Stormy Weather | Red Garland Trio | D Minor | 1 | 7A | 111 BPM | ||
| Do Nothin' Till You Hear From Me - 1956 Version | Billie Holiday | F Major | 2 | 7B | 86 BPM | ||
| There Is No Greater Love | Gene Ammons, Sonny Stitt | G Minor | 4 | 6A | 133 BPM | ||
| Basin Street Blues - Pt.1 & Pt.2 | Louis Armstrong | C Major | 6 | 8B | 107 BPM | ||
| Backstage Sally - Remastered 2003/Rudy Van Gelder Edition | Art Blakey & The Jazz Messengers | B♭ Minor | 4 | 3A | 120 BPM | ||
| Tootie Ma | Herlin Riley | A♭ Major | 8 | 4B | 97 BPM | ||
| A Smooth One | Junior Mance | F Major | 2 | 7B | 86 BPM | ||
| Baby Won't You Please Come Home | Billie Holiday | D Minor | 3 | 7A | 87 BPM | ||
| Now Or Never | Billie Holiday, Sy Oliver & His Orchestra | A Minor | 3 | 8A | 80 BPM | ||
| Yes Sir, That's My Baby | Etta Jones | A♭ Major | 4 | 4B | 147 BPM | ||
| Polka Dots And Moonbeams | Bud Powell | D Minor | 2 | 7A | 101 BPM | ||
| There Is No Greater Love | Miles Davis Quintet | D Minor | 2 | 7A | 59 BPM | ||
| Violets For Your Furs | Jutta Hipp, Zoot Sims | E♭ Major | 1 | 5B | 67 BPM | ||
| Time on My Hands | The Ben Webster Quintet | F Major | 2 | 7B | 86 BPM | ||
| Lover Come Back To Me | Cassandra Wilson | F♯ Major | 3 | 2B | 126 BPM | ||
| I'm Coming Virginia | Barbara Lea | E♭ Major | 2 | 5B | 117 BPM | ||
| Signifyin' Monkey | Oscar Brown, Jr. | C Major | 6 | 8B | 70 BPM |