Lee Wiley's ' "A Woman's Intuition" was released on its scheduled release date, April 21, 1951. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Night in Manhattan". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Portugal. In terms of popularity, A Woman's Intuition is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With A Woman's Intuition by Lee Wiley having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Undecided | Beverly Kenney | C Major | 3 | 8B | 174 BPM | ||
| Blues in the Night | Woody Herman & His Orchestra | C Major | 2 | 8B | 89 BPM | ||
| You Won't Be Satisfied (Until You Break My Heart) (with Les Brown & His Orchestra) | Doris Day, Les Brown & His Orchestra | F♯ Minor | 1 | 11A | 74 BPM | ||
| Oh, You Crazy Moon | Bea Wain | F Major | 2 | 7B | 102 BPM | ||
| You're The Top (with Vince Giordano & The Nighthawks) | Cole Porter, Vince Giordano, The Nighthawks | E♭ Major | 4 | 5B | 90 BPM | ||
| Oh Look at Me Now | Lee Wiley, Bobby Hackett, Joe Bushkin | F Major | 2 | 7B | 102 BPM | ||
| One Dozen Roses | Connee Boswell | A Minor | 2 | 8A | 93 BPM | ||
| On a Slow Boat to China | Kay Kyser, Gloria Wood | F Major | 2 | 7B | 102 BPM | ||
| Cow-Cow Boogie | Ella Mae Morse | F Major | 2 | 7B | 102 BPM | ||
| As Time Goes By | Rudy Vallee | A♭ Major | 2 | 4B | 81 BPM | ||
| Milkman, Keep Those Bottles Quiet | Ella Mae Morse | F Major | 2 | 7B | 102 BPM | ||
| I Double Dare You | Larry Clinton & His Orchestra | E Minor | 2 | 9A | 201 BPM | ||
| Taking a Chance on Love | Ethel Waters | A♭ Major | 2 | 4B | 135 BPM | ||
| Something To Remember You By | Irene Kral | C Major | 3 | 8B | 137 BPM | ||
| If I Had You | Jeri Southern | F Minor | 2 | 4A | 124 BPM | ||
| A Fine Romance | Johnny Mercer, Martha Tilton, Paul Weston And His Orchestra | E♭ Major | 3 | 5B | 78 BPM | ||
| Coffee In The Morning (Kisses In The Night) | The Boswell Sisters | A♭ Major | 1 | 4B | 113 BPM | ||
| Cute | Lionel Hampton | D Minor | 2 | 7A | 125 BPM | ||
| You're A Sweet Little Headache | Benny Goodman Orchestra with Martha Tilton | E♭ Major | 4 | 5B | 201 BPM | ||
| You Made Me Love You | The Merry Macs | G Major | 2 | 9B | 81 BPM | ||
| Coffee and cakes | Una Mae Carlisle | E♭ Major | 7 | 5B | 80 BPM | ||
| The Music Man: Till I Met You (1950 mono recording) | Eileen Wilson, Meredith Willson Orchestra, Meredith Willson | F Minor | 3 | 4A | 117 BPM | ||
| Any Time, Any Day, Anywhere | Lee Wiley | D Major | 5 | 10B | 153 BPM | ||
| Farmer's Market | Annie Ross | A♭ Major | 4 | 4B | 89 BPM | ||
| Penthouse Serenade (When We're Alone) | Shirley Ross, Bob Hope | G Major | 2 | 9B | 169 BPM |