"Saints Preserve Us" by Piano Magic had its release date on August 25, 2009. This song is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Important Records Sampler" album is number 16 out of 17. Based on our statistics, Saints Preserve Us's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Saints Preserve Us by Piano Magic to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Time Without End | bel canto | A♭ Major | 3 | 4B | 107 BPM | ||
| Poems | Nearly God, Terry Hall, Martina Topley-Bird | E Minor | 3 | 9A | 122 BPM | ||
| Fifty Five Falls | Marissa Nadler | G Major | 2 | 9B | 184 BPM | ||
| Saints | Gravenhurst | G Minor | 2 | 6A | 112 BPM | ||
| Voyage of Bran | Brendan Perry | E Minor | 1 | 9A | 100 BPM | ||
| Forgive | Alese Gorcía | A Minor | 0 | 8A | 94 BPM | ||
| Actresses Who Sing | Theory Of Ghosts | G Major | 4 | 9B | 109 BPM | ||
| Ghosts | Lucy Kruger & The Lost Boys | G Major | 4 | 9B | 109 BPM | ||
| Etimasia | Jozef Van Wissem and Jim Jarmusch, Jozef Van Wissem, Jim Jarmusch | E Major | 1 | 12B | 115 BPM | ||
| Don't Shy Away | Loma | B♭ Major | 1 | 6B | 114 BPM | ||
| Half a Drop | Trisomie 21 | E Minor | 7 | 9A | 121 BPM | ||
| Red Morning | Devics | A♭ Major | 3 | 4B | 116 BPM | ||
| Babylon | Brendan Perry | F♯ Minor | 6 | 11A | 136 BPM | ||
| Archangel | Brendan Perry | E Minor | 1 | 9A | 82 BPM | ||
| Like A Mountain | BirdPen | A Minor | 4 | 8A | 100 BPM | ||
| It's so True | Spain | D Major | 1 | 10B | 109 BPM | ||
| Renunciate | Nev Cottee | B Minor | 4 | 10A | 102 BPM | ||
| Outside the Glass | The Black Heart Procession | G Major | 1 | 9B | 157 BPM | ||
| Ruins | Jozef Van Wissem, Zola Jesus | A Minor | 6 | 8A | 110 BPM | ||
| Mára | Mamiffer | A♭ Minor | 2 | 1A | 78 BPM | ||
| The Sitting Room | Anne Clark | C Major | 1 | 8B | 180 BPM | ||
| What If ...? | Teho Teardo, Blixa Bargeld | D Minor | 4 | 7A | 139 BPM | ||
| Der Erscheinungen Flucht | ROME | G Major | 7 | 9B | 102 BPM | ||
| Heading Home | Death Machine | A♭ Major | 4 | 4B | 140 BPM | ||
| Nectarine | Lucy Kruger & The Lost Boys | G Major | 4 | 9B | 109 BPM |