Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder's ' "Pièces de Viole, Suite No. 2 in A Major: I. Prélude" was released on its scheduled release date, 2012. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Pièces de Viole, Suite No. 2 in A Major: I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder's "Marais: Pièces de Viole, Book 5" album is number 17 out of 110. On top of that, Netherlands appears to be the country where this track was created. Pièces de Viole, Suite No. 2 in A Major: I. Prélude is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Pièces de Viole, Suite No. 2 in A Major: I. Prélude by Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: I. Largo | Tomaso Albinoni, Ensemble 415, Chiara Banchini | B Major | 7 | 1B | 108 BPM | ||
| Overture For Viola D'amore & Orchestra in D Minor, GWV 426: II. Rondeau | Christoph Graupner, Les idées heureuses, Hélène Plouffe, Geneviève Soly | D♭ Minor | 1 | 12A | 121 BPM | ||
| Sarabande Jeunes Zephirs | Jacques Champion de Chambonnières, Philippe Pierlot, Lucile Boulanger, Myriam Rignol | F Major | 0 | 7B | 113 BPM | ||
| La Sonnerie de Sainte-Geneviève du mont de Paris | Marin Marais, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 2 | 1A | 119 BPM | ||
| Sonata No. 1 in F Major: I. Largo | Benedetto Marcello, Roberto Loreggian, Francesco Galligioni, Rolando Moro | F Major | 0 | 7B | 143 BPM | ||
| Sonata Per Viola da Gamba No. 2 in a Minor: I. Adagio | Dolci Accenti, Daniele Cernuto, Calogero Sportato, Lorenzo Feder, Mauro Zavagno | D♭ Minor | 1 | 12A | 69 BPM | ||
| Manuscrit de Cracovie, Suite in D Minor: Prélude du Sieur Dubuisson | Nicolas Hotman, Lucile Boulanger | D♭ Major | 0 | 3B | 78 BPM | ||
| Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
| Recercada Ottava sobre tenore La Gamba | Diego Ortiz, Manon Papasergio, Yoann Moulin | F Major | 1 | 7B | 125 BPM | ||
| Concerto grosso No. 4 in D Major, Op. 6: II. Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Flavio Losco | B♭ Minor | 1 | 3A | 60 BPM | ||
| Concerto grosso No. 3 in D Minor: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F Major | 1 | 7B | 74 BPM | ||
| Suite in G Major: I. Preludio | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 1 | 2B | 92 BPM | ||
| Concert XXVII: Bourrasque - Bourrasque | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Minor | 1 | 12A | 65 BPM | ||
| Recueil de plusieurs belles pièces de simphonies: Bransle de Mr de Luly / Bransle guay / Bransle à mener | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| 27 Pieces for Viola da gamba: Prelude, WKO 205 | Carl Friedrich Abel, Petr Wagner | D♭ Minor | 1 | 12A | 98 BPM | ||
| Pièces à deux violes du Premier Livre: Chaconne en sol majeur (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | F♯ Major | 1 | 2B | 128 BPM | ||
| Loves farewell | Tobias Hume, Mime Yamahiro-Brinkmann | B Major | 2 | 1B | 96 BPM | ||
| La Suave Melodia | Andrea Falconieri, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Suite de piece No. 1 in E Minor, Op. 11: I. Prelude. Lentement | Joseph Bodin de Boismortier, Mindy Rosenfeld, Ronn McFarlane | E♭ Minor | 0 | 2A | 81 BPM | ||
| Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Clavos pedum, plagas duras" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Hanna Bayodi | C Minor | 2 | 5A | 90 BPM | ||
| Purcell: The Fairy Queen, Z. 629, Act V: Chaconne | Henry Purcell, Jupiter, Thomas Dunford | B Minor | 1 | 10A | 68 BPM | ||
| Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
| Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Major | 1 | 11B | 78 BPM | ||
| La dama le demanda | Fahmi Alqhai, Antonio de Cabezón, Accademia del Piacere | F♯ Minor | 1 | 11A | 82 BPM |