Arthur Rubinstein's 'Nocturnes, Op. 37: No. 1' had a release date set for October 12, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 25 in the song's album "Rubinstein Collection, Vol. 5: Chopin: Concertos Nos. 1 & 2; 19 Nocturnes". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. Nocturnes, Op. 37: No. 1 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Nocturnes, Op. 37: No. 1 by Arthur Rubinstein having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
| Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
| Glinka/Balakirev: The Lark (L'Alouette) | Glinka/Balakirev, Philip Fowke | B♭ Minor | 0 | 3A | 77 BPM | ||
| 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 77 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Karine Poghosyan | E Minor | 1 | 9A | 92 BPM | ||
| Nocturne in E Minor, Op. 72 No. 1 | Joanna Brezezinska | A♭ Minor | 3 | 1A | 111 BPM | ||
| Nocturne No. 4 in A Major, H. 36 | John Field, Benjamin Frith | A Major | 1 | 11B | 183 BPM | ||
| The Lark | Mikhail Glinka, Evgeny Kissin | B♭ Minor | 0 | 3A | 96 BPM | ||
| Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
| 5 Causeries, Op. 10: No. 5, Elle Danse, "To Pavlova" - Duo-Art 6583 | Ignaz Friedman, Peter Phillips | E♭ Major | 1 | 5B | 80 BPM | ||
| Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (Arr. Kempff for Piano) | Johann Sebastian Bach, Wilhelm Kempff | G Minor | 0 | 6A | 106 BPM | ||
| Gnossienne: No. 2 | Erik Satie, Alexandre Tharaud | D Minor | 0 | 7A | 71 BPM | ||
| 6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
| Nocturne No. 9 in E-Flat Major, H. 30 | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 137 BPM | ||
| 6 Etudes de concert, Op. 35: II. Automne | Cécile Chaminade, Mark Viner | D♭ Major | 0 | 3B | 79 BPM | ||
| Lieder ohne Worte, Op.30: No. 6. Allegretto In F Sharp Minor, MWV U 110 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | F♯ Minor | 0 | 11A | 169 BPM | ||
| Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
| 4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
| La separation, Nocturne in F Minor | Mikhail Glinka, Victor Ryabchikov | F Minor | 1 | 4A | 73 BPM | ||
| Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
| Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
| Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
| Huit Nocturnes, Op. 368: No. 3 in A-Flat Major | Carl Czerny, Isabelle Oehmichen | A♭ Major | 0 | 4B | 63 BPM | ||
| Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM |