William Christie's ' "Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos]" was released on its scheduled release date, 1995. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. In terms of popularity, Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] by William Christie having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Marche de Timbales | Philidor le Cadet, Marie-Ange Petit, Les Arts Florissants, William Christie | A Major | 2 | 11B | 80 BPM | ||
| Purcell : King Arthur : Act 3 "Thou doting fool" [Soprano] | William Christie | B♭ Major | 0 | 6B | 103 BPM | ||
| Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: I. Kyrie | Marc-Antoine Charpentier, Les Arts Florissants, Anne Marie Lasla, William Christie, Kaori Uemura | D♭ Minor | 0 | 12A | 100 BPM | ||
| Purcell : King Arthur : Act 3 "What ho! thou genius of this isle" [Soprano] | William Christie | B♭ Major | 0 | 6B | 75 BPM | ||
| Les Indes galantes, RCT 44, Deuxième Entrée, Scène 3 - Scène 4: "Elle est seule...parlons" (Phani, Huascar) | Jean-Philippe Rameau, Isabelle Poulenard, Bernard Deletré, Les Arts Florissants, William Christie | B Minor | 1 | 10A | 106 BPM | ||
| Dido and Aeneas, Z. 626, Act III: No. 33, Recit. Your Counsel – No. 34, Recit. But Death, Alas! | Henry Purcell, Catherine Bott, Emma Kirkby, John Mark Ainsley, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
| Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
| Stabat Mater: II. Cujus animam gementem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Dido and Aeneas, Z. 626, Act I: No. 5, Recit. Whence Could So Much Virtue Spring? | Henry Purcell, Catherine Bott, Emma Kirkby, Julianne Baird, Academy of Ancient Music, Christopher Hogwood | B Minor | 0 | 10A | 170 BPM | ||
| Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Dormi, dormi, o Sonno, dormi" (Aure, Ruscelli) | Francesco Cavalli, Davy Cornillot, Etienne Bazola, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé | B Major | 0 | 1B | 84 BPM | ||
| Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
| Miserere in C Minor (Version for Mixed Choir): I. Miserere mei Deus | Johann Adolf Hasse, Accademia Barocca Lucernensis, Javier Ulises Illán | D Major | 2 | 10B | 105 BPM | ||
| L'Orfeo, Atto terzo: IV. Possente Spirto | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Le Concert Des Nations | D Minor | 1 | 7A | 70 BPM | ||
| Schiassi: Maria Vergine al Calvario: "L'agnelletta timidetta" | Gaetano Maria Schiassi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 1 | 1A | 89 BPM | ||
| Membra Jesu nostri, BuxWV 75: Ic. Ad pedes: Clavos pedum, plagas duras | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
| Vespro della Beata Vergine, SV 206: II. Dixit dominus | Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René Jacobs | D Minor | 3 | 7A | 101 BPM | ||
| Dixit Dominus, RV 595: Tecum principium: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Anita Krause, Peter Mahon, Nils Brown, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | A♭ Minor | 1 | 1A | 118 BPM | ||
| Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
| Violin Sonata in D Minor, Op. 1 No. 1: I. Adagio | Jean-Baptiste Senaillé, Théotime Langlois de Swarte, Myriam Rignol, William Christie | D♭ Minor | 1 | 12A | 68 BPM | ||
| Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
| Airs de cour à quatre & cinq parties, Livre II: Tant et tant il m'ennuye tant | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | G Major | 2 | 9B | 99 BPM | ||
| Messe de requiem: I. Requiem | André Campra, Philippe Herreweghe, Orchestre de La Chapelle Royale, Chœur de la Chapelle Royale, La Chapelle Royale | E♭ Major | 2 | 5B | 82 BPM | ||
| Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: II. Caph | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
| Actéon, H. 481, Scene I: Allons, marchons, courons | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Major | 4 | 3B | 152 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act I: Duet. "If Not for Mine, for Empire's Sake" - Chorus. "To the Hills and the Vales" (Aeneas, Belinda, Chorus) | Henry Purcell, William Christie, Les Arts Florissants, Nathan Berg, Sophie Marin-Degor | B Major | 1 | 1B | 169 BPM |