Ramana's ' "Shiridi Vasa" was released on its scheduled release date, April 18, 2002. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Sri Shridi Saibaba-Jai Santhoshi Matha". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. In terms of popularity, Shiridi Vasa is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Shiridi Vasa by Ramana having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suprabhatam - Ganand | G. Anand | F Major | 6 | 7B | 81 BPM | ||
| Magamasam Oche Pilla - Studio | Ramana | D Major | 9 | 10B | 105 BPM | ||
| Raalla Mulla Daarilona | Naarsingi Narsing Rao | E♭ Major | 5 | 5B | 150 BPM | ||
| Vedukundaama Venkatagiri Jenjho | Sri Hari Achuta Rama Sastry, Ramana | F Major | 6 | 7B | 188 BPM | ||
| Mangambuthi | Surya, Talapakka Sri Annamacharya, N.S. Prakasa Rao | A♭ Major | 4 | 4B | 72 BPM | ||
| Cheri Kolvaro (From "Venkatadhri") | Sriraman, Arundhathi, Poornima, Hymavathi | D Major | 3 | 10B | 98 BPM | ||
| Mayadari Mangamma | P.N. Lingaraju | F♯ Major | 9 | 2B | 80 BPM | ||
| Poolavanamamdhu | P. Madhuri, Ramana, Anisetty | B♭ Major | 6 | 6B | 97 BPM | ||
| Kanti Akthilanda | G Balakrishna Prasad | B Major | 4 | 1B | 144 BPM | ||
| Pavana Mayamu Penuganchi | Muralidhar, Parthasarathy, Ramana, Vijaya Lakshmi Sharma, Kusuma | G Minor | 6 | 6A | 92 BPM | ||
| Anthethu Kondapai | Ramana | G Minor | 8 | 6A | 141 BPM | ||
| Jayajaga Paalaka | G. Nageshwara Naidu | G Major | 4 | 9B | 113 BPM | ||
| Anjanna Jayanti Panduga | Anil Kumar | F Minor | 6 | 4A | 106 BPM | ||
| Sri Datta Guruswaroopa | Parupalli Ranganath, Ramana | E♭ Minor | 5 | 2A | 140 BPM | ||
| Dayato Nanu Kanuma | Kalluri Muralikrishna | F Major | 4 | 7B | 150 BPM | ||
| Kanne Swamy Nai | Naarsingi Nursing Rao, Krishna Sai | E Minor | 6 | 9A | 143 BPM | ||
| Ravemayya Ayyappa | Gangaputra Narasinga Rao | G Major | 9 | 9B | 93 BPM | ||
| Marugelara O Raghava | Nitya Santoshini | F♯ Minor | 4 | 11A | 91 BPM | ||
| Nithyanandakari (From "Om Sakthi Om Om Sakthi Om") | Ramana | F Major | 5 | 7B | 140 BPM | ||
| Brama Murari | Ramu | C Major | 2 | 8B | 173 BPM | ||
| Hanume Nindina | Chakravakam Banti | A♭ Major | 7 | 4B | 95 BPM | ||
| Yemuko Chigurutadaramuna | Nithya Santhoshini | A Major | 6 | 11B | 81 BPM | ||
| Antaryami | Sonu Nigam, Ramana, Lenina | G Minor | 3 | 6A | 84 BPM | ||
| Ravamma Mahalakshmi | Mahanadhi, Sobhana, Ramana, Gopika Poornima | F Major | 6 | 7B | 175 BPM | ||
| Narayanudeethadu | G Balakrishna Prasad | E♭ Minor | 7 | 2A | 137 BPM |