"The Wild Psalms" by Bill Orcutt had its release date on November 29, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Bill Orcutt's "How to Rescue Things" album is number 7 out of 7. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Wild Psalms's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Wild Psalms by Bill Orcutt to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last Minute Guitar | Stephen Vitiello, Brendan Canty, Hahn Rowe | D Major | 3 | 10B | 121 BPM | ||
| Suspicious Commuter | Jonah Parzen-Johnson, Lau Nau | F Minor | 3 | 4A | 102 BPM | ||
| Drunk with Fire, We Enter | American Cream Band | D♭ Major | 1 | 3B | 111 BPM | ||
| Aisling at Sea | Fohn | G Major | 2 | 9B | 129 BPM | ||
| Loose Changes 2 | Ben Hackett | D Major | 3 | 10B | 128 BPM | ||
| On the horizon | Bill Orcutt | E Major | 5 | 12B | 142 BPM | ||
| The Beach That Leads To Your Shore | Mick Turner | E Minor | 3 | 9A | 126 BPM | ||
| Half Smile | Duffy x Uhlmann | F Major | 2 | 7B | 114 BPM | ||
| One Day You'll Lie Here But Everything Will | Gwenifer Raymond | A Major | 4 | 11B | 138 BPM | ||
| Five Might Slip | Evan Shornstein, Will Epstein | D♭ Major | 2 | 3B | 68 BPM | ||
| Break The Cycle Of Sorrow | Rothko | A♭ Major | 1 | 4B | 73 BPM | ||
| On The Longest Day | Immersion | A Major | 1 | 11B | 124 BPM | ||
| Pearlash | Old Saw | F Major | 1 | 7B | 103 BPM | ||
| Nannerth Ganol | Quade | C Minor | 6 | 5A | 117 BPM | ||
| Two Ruffys | Jim White | C Major | 4 | 8B | 106 BPM | ||
| Before I Go | Bill Orcutt | C Major | 4 | 8B | 113 BPM | ||
| Sparking Node Network | Signal Quest, Lynn Avery, Cole Pulice, Mitch Stahlmann | B♭ Minor | 6 | 3A | 70 BPM | ||
| no one | Jessica Moss | A Minor | 1 | 8A | 139 BPM | ||
| Moon Over | Mason Lindahl | A♭ Minor | 4 | 1A | 109 BPM | ||
| The Secret Engine of History | Chris Corsano, Bill Orcutt | D♭ Minor | 9 | 12A | 130 BPM | ||
| King of England | Radio Anorak | B Major | 7 | 1B | 116 BPM | ||
| Parked Chrysanthemums | Alan Bishop, Bill Orcutt, Chris Corsano | D Major | 8 | 10B | 85 BPM | ||
| Russian Twists | Valentina Magaletti, Fanny Chiarello | E Major | 2 | 12B | 84 BPM | ||
| Suspension | Horse Lords, Arnold Dreyblatt | G Minor | 0 | 6A | 68 BPM | ||
| Zen Bungalow | Tomo Katsurada | F Major | 6 | 7B | 86 BPM |