On November 2, 2021, the song "Dekh To Laundiya Baj Part 1" was released by Rampat Haraami, Rani Bala. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Neg De Do Hamara". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. Based on our statistics, Dekh To Laundiya Baj Part 1's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Dekh To Laundiya Baj Part 1 by Rampat Haraami, Rani Bala having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nadha Vindhu Kalabi Namo | Thevaara Isai Mani Ka. Venkatesan | D Minor | 5 | 7A | 114 BPM | ||
| Mehndi Ro Rang Lal | Kohinoor Langa | F Minor | 9 | 4A | 121 BPM | ||
| Vijadi Ne Chamkare | Damyanti Bardai | F Minor | 8 | 4A | 103 BPM | ||
| Paunahari Teri Sada Hi Jai Jaikar | Pola Ram Dhangwal, Anuradha Paudwal, Anjali, Urmila | A♭ Major | 7 | 4B | 115 BPM | ||
| Woh Ishq Jo Ham Se | Farida Khanum | C Major | 4 | 8B | 132 BPM | ||
| Apna Balma | Sharda Sinha | D♭ Major | 6 | 3B | 162 BPM | ||
| Kashi Jau Mi Vrindavana | Godavaribai Munde, Rameshbuva Shegaonkar | F♯ Minor | 6 | 11A | 130 BPM | ||
| Na Bhijay Raagi Naadi Bayd | Hazuri Raagi - Sri Bhaini Sahib, Mohan Singh, Balwant Singh, Harbans Singh Ghulla, Harpreet Singh Sonu - Tabla, Sukhdev Singh | D♭ Minor | 7 | 12A | 126 BPM | ||
| Bichar Ke Bhi Mujhe | Ghulam Ali | D♭ Major | 4 | 3B | 108 BPM | ||
| Aaradhe Man Shyam Radhe | Hari Om Sharan | F Major | 2 | 7B | 67 BPM | ||
| Mauji Sharikai Kar Daya | Neerja Pandit | A♭ Major | 6 | 4B | 200 BPM | ||
| Charo Dhaam Ghoomi Aini | Pawan Singh | A♭ Major | 5 | 4B | 121 BPM | ||
| Tomar Hasite Bodhu | Kumar Sanu | F Minor | 8 | 4A | 118 BPM | ||
| Dil Jalane Ki Baat | Farida Khanum | A Major | 7 | 11B | 155 BPM | ||
| Should I Stay or Should I Go | Ramachandra Borcar, Rup, Qurram | A Minor | 9 | 8A | 200 BPM | ||
| Shabad Gurbani | Sukhwinder Singh | D♭ Major | 5 | 3B | 130 BPM | ||
| Zindagi Mein Toh Sabhi Pyar Kiya Karte Hain | Mehdi Hassan | F Major | 4 | 7B | 148 BPM | ||
| Dasht-E-Tanhai Mein | Iqbal Bano | F Major | 3 | 7B | 172 BPM | ||
| Je Ka Ranjale Ganjale | Bhimsen Joshi | D Minor | 4 | 7A | 178 BPM | ||
| Areene Rang Goom | Neerja Pandit | A♭ Major | 4 | 4B | 148 BPM | ||
| Javna Rog Ke Dawaai Na | Bharat Sharma Vyas | E♭ Major | 7 | 5B | 175 BPM | ||
| AARE NAAL CHEER DE | Baba Gulab Singh Ji, Nagaada Music | B Minor | 7 | 10A | 108 BPM | ||
| Leta Jaijo Re (feat. Bhutta Khan) | Maati Baani, Bhutta Khan | A Major | 7 | 11B | 102 BPM | ||
| Shatrunjay Nadi | Pu.Acharya Udayratna Suriji M.s., Aditya Gadhvi | D♭ Minor | 6 | 12A | 84 BPM | ||
| Karni Ma Chirja Man Mat Darpe Lakh Roj | Ranveer Singh Rathore | A Major | 6 | 11B | 97 BPM |