Pearl Bailey's ' "Takes Two To Tango" was released on its scheduled release date, January 1, 1953. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Takes Two To Tango's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pearl Bailey's "I'm With You" album is number 1 out of 8. In terms of popularity, Takes Two To Tango is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Takes Two To Tango by Pearl Bailey to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lament (Lonesome Polecat) | Matt Mattox | C Major | 0 | 8B | 87 BPM | ||
| Once Upon a Dream - From "Sleeping Beauty" / Soundtrack Version | Mary Costa, Bill Shirley, Chorus - Sleeping Beauty | C Major | 5 | 8B | 121 BPM | ||
| "Let Me Be Good To You" | Melissa Manchester | A Major | 4 | 11B | 124 BPM | ||
| When The Red, Red Robin Comes Bob, Bob, Bobbin' Along | Al Jolson | A♭ Major | 4 | 4B | 134 BPM | ||
| Heart and Soul | Bea Wain | F Minor | 2 | 4A | 98 BPM | ||
| Hit the Road to Dreamland | Pearl Bailey | A♭ Major | 1 | 4B | 73 BPM | ||
| Lida Rose, Will I Ever Tell You (feat. Shirley Jones) | The Buffalo Bills, Shirley Jones | G Major | 3 | 9B | 110 BPM | ||
| 'S Wonderful | Fred Astaire, Audrey Hepburn | F♯ Minor | 3 | 11A | 141 BPM | ||
| Pollyanna Song | Hayley Mills | E♭ Major | 2 | 5B | 124 BPM | ||
| The Tiki, Tiki, Tiki Room - From "The Enchanted Tiki Room" | Richard M. Sherman, Robert B. Sherman | A♭ Major | 5 | 4B | 90 BPM | ||
| Let's Dance at Disneyland - From "Plaza Gardens" | The Elliott Brothers | F Major | 5 | 7B | 172 BPM | ||
| Carolina Moon | The Chordettes | E♭ Major | 1 | 5B | 92 BPM | ||
| Although I Dropped $100,000 in the Market - From "Symposium on Popular Songs" | Paul Frees | C Major | 6 | 8B | 100 BPM | ||
| With A Flair - From "Bedknobs and Broomsticks"/Soundtrack Version | David Tomlinson | A Minor | 6 | 8A | 121 BPM | ||
| Milkman, Keep Those Bottles Quiet | Ella Mae Morse | F Minor | 2 | 4A | 98 BPM | ||
| What Made Red Man Red/Tinknapped - Original | The Cast of Peter Pan | B♭ Minor | 7 | 3A | 119 BPM | ||
| The Wild, Wild West | Virginia O'Brien | B♭ Major | 2 | 6B | 105 BPM | ||
| Shall We Dance' | Yul Brynner, Marni Nixon & Deborah Kerr | E♭ Major | 3 | 5B | 103 BPM | ||
| Zip-A-Dee-Doo-Dah | Johnny Mercer | E♭ Major | 1 | 5B | 106 BPM | ||
| Just Around the Riverbend - From "Pocahontas" | Judy Kuhn | C Major | 3 | 8B | 63 BPM | ||
| The Surrey with the Fringe on Top (Excerpts From "Oklahoma!") | Gordon Macrae | D Major | 1 | 10B | 79 BPM | ||
| Animal Crackers In My Soup | Shirley Temple | G Minor | 2 | 6A | 84 BPM | ||
| A Whale of a Tale | Kirk Douglas | D Major | 4 | 10B | 107 BPM | ||
| Road To Morocco: Ain't Got a Dime To My Name (Ho Hum) | Bob Hope | C Minor | 2 | 5A | 135 BPM | ||
| The Clouds Will Soon Roll By | Ambrose & His Orchestra | E♭ Major | 1 | 5B | 117 BPM |