"Twisted Abduction" by Jerry Goldsmith had its release date on June 4, 1982. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Poltergeist (Original Motion Picture Soundtrack)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Twisted Abduction's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Twisted Abduction by Jerry Goldsmith having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Leaving For Philadelphia | Rob Lane | D Minor | 4 | 7A | 87 BPM | ||
| The World Of The Heart - Main Title - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 122 BPM | ||
| Main Title | Leonard Rosenman | G Minor | 4 | 6A | 119 BPM | ||
| The Resurrection Stone | Alexandre Desplat | D♭ Minor | 0 | 12A | 69 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Lightning Strikes | Rupert Gregson-Williams | D Major | 4 | 10B | 94 BPM | ||
| Ragnarok Suite | Mark Mothersbaugh | D Minor | 4 | 7A | 71 BPM | ||
| Finale - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 64 BPM | ||
| Introduction (Titles) | Danny Elfman | F Minor | 2 | 4A | 115 BPM | ||
| First Class | Henry Jackman | B♭ Major | 5 | 6B | 113 BPM | ||
| Professor Alexander Hartdegen | Klaus Badelt | A Minor | 2 | 8A | 137 BPM | ||
| Forbidden Love | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Major | 1 | 10B | 77 BPM | ||
| Approach To Shadizaar - Conan The Destroyer/Soundtrack Version | Basil Poledouris | A Minor | 4 | 8A | 125 BPM | ||
| Atreju's Quest | Klaus Doldinger | A♭ Major | 3 | 4B | 48 BPM | ||
| Harry in Winter | Patrick Doyle | B Minor | 2 | 10A | 110 BPM | ||
| Two Brothers | Anne Dudley, The Quartet Of London | E Minor | 1 | 9A | 112 BPM | ||
| Lily's Theme | Alexandre Desplat | F♯ Major | 0 | 2B | 73 BPM | ||
| One Last Shot | Klaus Badelt | F Major | 1 | 7B | 135 BPM | ||
| The Magnificent Seven: Main Titles And Calvera's Visit: Allegro Con Fuoco | Phoenix Symphony, James Sedares | D Minor | 4 | 7A | 83 BPM | ||
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| Happy Flight | Klaus Doldinger | C Major | 6 | 8B | 142 BPM | ||
| Dr. Sayer - Awakenings - Original Motion Picture Soundtrack; Remastered | Randy Newman | A♭ Major | 0 | 4B | 77 BPM | ||
| Visionnary | Mahwash Faroni, Moowash | B♭ Minor | 2 | 3A | 85 BPM | ||
| The British Arrival | Trevor Jones | E Major | 1 | 12B | 61 BPM | ||
| The Landing | Jerry Goldsmith | D Minor | 1 | 7A | 97 BPM |