"Seis piezas a Violeta (2023 Version for String Orchestra & Piano): V. Danza Esdrújula" by Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin had its release date on July 18, 2025. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Alisa Weilerstein's "Gabriela Ortiz: Yanga" album is number 10 out of 11. On top of that, United States appears to be the country where this track was created. Seis piezas a Violeta (2023 Version for String Orchestra & Piano): V. Danza Esdrújula is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Seis piezas a Violeta (2023 Version for String Orchestra & Piano): V. Danza Esdrújula by Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin to be Lento (slowly) because the track has a tempo of 57 BPM, a half-time of 28BPM, and a double-time of 114 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet No. 3 in D Major, Op. 34: II. Scherzo. Allegro molto | Erich Wolfgang Korngold, Calidore String Quartet | B Major | 1 | 1B | 103 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | B Major | 1 | 1B | 103 BPM | ||
| Mendelssohn: String Octet in E-Flat Major, Op. 20, MWV R20: II. Andante | Felix Mendelssohn, Quatuor Ébène, Belcea Quartet | B Major | 1 | 1B | 103 BPM | ||
| La poesía nos salvará | Classical Laguna Experience Orchestra, Gabriela Ortiz, Carmen Acosta, Ludwig Carrasco, Javier Santos | C Major | 2 | 8B | 80 BPM | ||
| Dances: No. 1, Darkness (Cadenza). Under the Cajun Moon | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | B Major | 1 | 1B | 103 BPM | ||
| Piano Trio in D Minor, Op. 120: Piano Trio in D minor, Op. 120: I. Allegro ma non troppo | Gabriel Fauré, Trio Wanderer | B♭ Major | 0 | 6B | 85 BPM | ||
| Hallelujah Junction: II. - | John Adams, Lukas Geniušas, Anna Geniushene | A♭ Major | 2 | 4B | 86 BPM | ||
| Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Piotr Anderszewski | B Major | 1 | 1B | 103 BPM | ||
| 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Jean-Baptiste Fonlupt | D♭ Major | 1 | 3B | 126 BPM | ||
| Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | B Major | 1 | 1B | 103 BPM | ||
| Stellar Voice | Astrid Voix | B Major | 1 | 1B | 103 BPM | ||
| Suite of Preludes: No. 3, Agitato | Kazimierz Serocki, Miyako Arishima | B♭ Minor | 3 | 3A | 110 BPM | ||
| Enescu: String Octet in C Major, Op. 7: IV. Mouvement de valse bien rythmée | George Enescu, Quatuor Ébène, Belcea Quartet | B Major | 1 | 1B | 103 BPM | ||
| Symphony No. 7 in E Minor "Song of the Night": III. Scherzo. Schattenhaft - Trio | Gustav Mahler, Gianandrea Noseda, National Symphony Orchestra, Kennedy Center | B♭ Major | 1 | 6B | 173 BPM | ||
| Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
| Cello Sonata in E Major, Op. 121: I. Allegro espressivo e appassionato | Ignaz Moscheles, Steven Isserlis, Connie Shih | B Major | 1 | 1B | 103 BPM | ||
| Exilios II - A Lydia | Classical Laguna Experience Orchestra, Alejandro Escuer, Gabriela Ortiz, David González | C Major | 0 | 8B | 138 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | B Major | 1 | 1B | 103 BPM | ||
| Masques, Op. 34: I. Shéhérazade. Lento assai. Languido | Karol Szymanowski, Krystian Zimerman | F♯ Major | 0 | 2B | 70 BPM | ||
| Images, Livre 2, L. 111: No. 3, Poissons d'or | Claude Debussy, Carmen Stefanescu | B Major | 1 | 1B | 103 BPM | ||
| Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam | Erich Wolfgang Korngold, Boris Brovtsyn, Clara Jumi Kang, Eldar Nebolsin, Spectrum Concerts Berlin, Torleif Thedéen | C Minor | 0 | 5A | 111 BPM | ||
| Ambition | Xavier Foley, Gautier Capuçon, Frank Braley | G Major | 2 | 9B | 178 BPM | ||
| Revolución diamantina, Act IV: Speaking the unspeakable | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | C Major | 6 | 8B | 94 BPM | ||
| The RIte of Spring, K015 (Version for 2 Pianos), Pt. 2: XIII. Ritual of the Ancestors | Igor Stravinsky, Leif Ove Andsnes, Marc-André Hamelin | A♭ Minor | 1 | 1A | 92 BPM | ||
| Piano Trio No. 3 in A Minor, Op. 26: II. Presto | Édouard Lalo, Trio Wanderer | B Major | 1 | 1B | 103 BPM |